Outbreak Company
2013 • feel.
- Format
- TV
- Aired
- 2013
- Episodes
- 12
- Status
- Finished
- Studio
- feel. · Pony Canyon · Sentai Filmworks
- Genres
- Comedy · Fantasy
Having a light novel author father and an eroge illustrator mother, Kanou Shinichi is a thoroughbred otaku. However he does not have any special power except for his broad knowledge, sharp insight, and impeccable instinct about "MOE" and its products, from manga to anime to games to light novel to figures. One day he found himself transported to a fantasy world where elves live and dragons fly. And he is given a task—not to fight monster or embark on a quest, but to enhance cultural exchange by becoming a "moe missionary" in this fantasy world! He meets a palace guard who has a bit of fujoshi taste, a half-elf maid, and the empress who is a little girl. He comes up with the idea of building a school. At first it runs as a comedy but later there are serious matters that Shinichi needs to face: ethnic discrimination, social problems, conflict with neighboring countries, sabotage by opposition elements including Japanese government, etc. Can he overcome the obstacles, successfully bring "moe" culture to the fantasy world, and help the people there as well?
Synopsis from AniList
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Where it came from
Outbreak Company was produced by studio feel. and aired in 2013, adapting the light novel series written by Ichiro Sakaki. The story functions as a meta-fictional satire of the otaku subculture, centering on a young man recruited by the Japanese government to promote anime and manga culture in an alternate fantasy world. Its development reflected a period in the early 2010s when anime studios frequently explored isekai and culture-clash narratives, positioning itself as both a parody of and a tribute to the industry.
The series was directed by Kei Oikawa, who aimed to balance the comedic, slapstick elements of the premise with the underlying geopolitical tensions of the fictionalized empire. Character designs were adapted for animation by Takashi Mamezuka, focusing on a bright, expressive aesthetic consistent with the light-hearted tone of the source material. Upon its release, the series was received as a humorous commentary on soft power and cultural exportation, though its blend of comedy and social satire resonated primarily with viewers already well-versed in anime fandom tropes.
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