Utawarerumono The False Faces
2015 • WHITE FOX
- Format
- TV
- Aired
- 2015
- Episodes
- 25
- Status
- Finished
- Studio
- WHITE FOX · Sentai Filmworks
- Genres
- Action · Drama · Fantasy · Science fiction
When I came to, I realized I was standing in the middle of a vast, snowy plain I knew nothing of. I didn't know how I got there. And to add to that, I couldn't remember anything, not even my name. I stood there, dumbfounded at my absurd situation. But then, as if to spite me further, a gigantic monster suddenly appeared, an insect-like creature that began to bear down on me. I tried desperately to run, but it cornered me into a hopeless situation. It was then that the girl appeared. Her name was Kuon. It was this beautiful girl, who bore an animal's ears and tail, who saved my life.
Synopsis from AniList
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Where it came from
Utawarerumono: The False Faces, known in Japan as Utawarerumono: Itsuwari no Kamen, was produced by studio WHITE FOX and released in 2015 as a follow-up to the 2002 visual novel and 2006 anime adaptation. Developed by Leaf, the series serves as the second entry in the Utawarerumono trilogy, shifting the focus to a new protagonist, Haku, who wakes up with amnesia in a sprawling, fantasy-inspired world modeled after Ainu culture. The narrative balances lighthearted slice-of-life interactions with complex political intrigue and tactical fantasy warfare, intended to bridge the gap between the original story and the climactic conclusion of the series.
The production sought to expand the world-building of the franchise while maintaining the distinct aesthetic established by original character designer Tatsuki Amazuyu. WHITE FOX approached the adaptation by prioritizing the character-driven moments that defined the visual novel's appeal, aiming to translate the slow-burn mystery and world-building of the source material into a twenty-five episode format. Upon its release, the series was generally well-received by fans of the franchise for its polished animation and character development, though critics noted the pacing was intentionally deliberate to accommodate the expansive nature of the source narrative.
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