Elliott Carter studies
Marguerite Boland • 2012 • Cambridge University Press
- Author
- Marguerite Boland
- First published
- 2012
- Publisher
- Cambridge University Press
- Genres
- Art · History
- Subjects
- Criticism and interpretation · Carter, elliott cook, 1908-2012 · Music, history and criticism, 20th century
- ISBN
- 9781139527811
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Where it came from
Elliott Carter Studies, published in 2012 by Cambridge University Press and edited by Marguerite Boland and John Link, was produced to coincide with the centennial celebrations and late-career legacy of the American composer Elliott Carter. The volume emerged as a scholarly attempt to synthesize the complex, multi-layered techniques that defined Carter's output, particularly his sophisticated approach to rhythmic modulation and atonal polyphony.
The book serves as a collection of analytical essays contributed by various music theorists and composers, offering a detailed examination of Carter's scores and his influence on twentieth-century modernism. The design and structure of the work were intended to provide both academic rigour and a deep technical understanding of Carter’s distinctive musical language, and it has since been received as an essential reference for musicologists studying post-tonal composition.
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