Glenn Brown

Published in 2009 by Holzwarth Publications, this monograph provides a comprehensive overview of the practice of British painter Glenn Brown. The volume arrives at a mid-career point for the artist, capturing his distinct aesthetic, which frequently draws upon Old Master paintings, science fiction illustration, and the works of artists like Frank Auerbach and Salvador Dalí. It serves as a scholarly record of his technical approach, documenting how he manipulates digital imagery and thick, impasto-like brushwork to create smooth, illusionistic surfaces.

The publication is emblematic of the mid-2000s contemporary art scene in London, during which Brown gained significant recognition for his controversial yet highly disciplined appropriationist style. Edited by Hans Werner Holzwarth, the book compiles a wide range of his canvases and sculptures, reflecting the artist’s interest in the history of art as a malleable medium. It was well-received as an essential resource for understanding his complex relationship with painterly tradition and the distortion of classical tropes.