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Werner Herzog

Alessia Cervini • 2007 • L. Pellegrini

Author
Alessia Cervini
First published
2007
Publisher
L. Pellegrini
ISBN
9788881014484
720,606books tracked
0copies listed for sale
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Published in 2007 by L. Pellegrini, this monograph by Alessia Cervini offers a critical examination of the cinematic body of work created by the German filmmaker Werner Herzog. Part of a tradition of Italian film scholarship focused on auteur theory, the volume contextualizes Herzog's career within the broader framework of New German Cinema, exploring his transition from documentary-inflected narratives to more abstract, existential explorations of the human condition.

Alessia Cervini’s analysis focuses on the recurring visual motifs and philosophical underpinnings that define Herzog’s style, particularly his fascination with extreme landscapes and marginalized subjects. The book is intended for students and enthusiasts of film history who seek a structured academic perspective on Herzog’s methodologies. It remains a notable contribution to the Italian-language literature on the director, serving as a deep dive into the specific thematic tensions that have characterized his decades-long career.

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