Airs Pour Madame La Dauphine & Symphonies Pour Les Couchers Du Roy / Dixième Concert Des Goûts-Réunis "La Tromba" / Le Mariage De La Grosse Cathos

Released by the French label Contrepoint, this recording represents a mid-20th-century effort to capture the grandeur of the French Baroque era for a modern audience. The album features works by Jean-Baptiste Lully, François Couperin, and André Danican Philidor, curated to highlight the ceremonial music central to the court of Louis XIV. The production serves as a testament to the post-war resurgence of interest in period-appropriate instrumentation and the meticulous study of musicological scores that defined the era's classical music revival.

The Collegium Musicum de Paris, conducted by Roland Douatte, was a prominent ensemble during this period, known for their focus on bringing forgotten early music to the listening public. In selecting these specific compositions, the producers aimed to evoke the atmosphere of the royal chambers and the festive spirit of the French court. The release was received as a scholarly endeavor, contributing to the broader mid-century movement of integrating historically informed performance practices into accessible vinyl pressings for collectors of Baroque repertoire.