Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49)
Johann Sebastian Bach, Agnes Giebel, Marga Höffgen, Hans-Joachim Rotzsch, Theo Adam, Thomanerchor, Gewandhausorchester Leipzig, Kurt Thomas
- Label
- ETERNA
- Catalog number
- 8 20 162
- Format
- LP · Mono
- Country
- German Democratic Republic (GDR)
- Genre
- Classical
What’s on it
Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) has 3 tracks. Open a track to see who wrote, played on and produced it.
AChrist Lag In Todesbanden, Kantate Nr. 4
- Alto Vocals
- Marga Höffgen
- Bass Vocals
- Theo Adam
- Basso Continuo, Contrabass
- Heinz Morawietz
- Basso Continuo, Organ
- Hannes Kästner
- Basso Continuo, Violoncello
- Helmut Weimann
- Choir
- Thomanerchor
- Conductor
- Kurt Thomas
- Orchestra
- Gewandhausorchester Leipzig
B1Widerstehe Doch Der Sünde, Kantate Nr. 54
- Alto Vocals
- Marga Höffgen
- Basso Continuo, Contrabass
- Heinz Morawietz
- Basso Continuo, Organ
- Hannes Kästner
- Basso Continuo, Violoncello
- Siegfried Arnold
- Conductor
- Kurt Thomas
- Orchestra
- Gewandhausorchester Leipzig
B2Wer Mich Liebet, Der Wird Mein Wort Halten, Kantate Nr. 49
- Bass Vocals
- Theo Adam
- Basso Continuo, Contrabass
- Konrad Siebach
- Basso Continuo, Organ
- Hannes Kästner
- Basso Continuo, Violoncello
- Helmut Weimann
- Choir
- Thomanerchor
- Conductor
- Kurt Thomas
- Orchestra
- Gewandhausorchester Leipzig
- Soprano Vocals
- Agnes Giebel
Where to find one
Search for Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) on the marketplaces collectors use.
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Where it came from
Released under the ETERNA label, this recording captures the tradition of the Thomanerchor, the centuries-old boys' choir of St. Thomas Church in Leipzig where Johann Sebastian Bach served as cantor. Produced during the mid-20th century in the German Democratic Republic, the record serves as a testament to the East German dedication to preserving the Bach legacy despite the political challenges of the era. Kurt Thomas, a distinguished conductor and expert in the Bach repertoire, led these performances to emphasize the rigorous polyphonic structure and spiritual depth inherent in the selected cantatas.
The recording features a notable ensemble of soloists, including Agnes Giebel and Theo Adam, whose contributions were highly regarded in the classical music world for their technical precision and stylistic fidelity. The design of the sleeve is characteristic of ETERNA's functional, academic aesthetic, which prioritized clear documentation of the performers and theological context of the works over ornate visuals. Upon its release, the record was well-received by critics for its authentic sound, which drew directly from the architectural and historical acoustics of the Leipzig tradition.
Written by Pi, the helpful collecto.rs AI
Who's collecting this
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About Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49)
Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) is a record in the Vinyl Records catalog on collecto.rs. Johann Sebastian Bach, Agnes Giebel, Marga Höffgen, Hans-Joachim Rotzsch, Theo Adam, Thomanerchor, Gewandhausorchester Leipzig, Kurt Thomas. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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The catalog entry for Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.
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