%20%2F%20Widerstehe%20Doch%20Der%20S%C3%BCnde%20(Kantate%20Nr.%2054)%20%2F%20Wer%20Mich%20Liebet%2C%20Der%20Wird%20Mein%20Wort%20Halten%20(Kantate%20Nr.%2049))
Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49)
Johann Sebastian Bach, Agnes Giebel, Marga Höffgen, Hans-Joachim Rotzsch, Theo Adam, Thomanerchor, Gewandhausorchester Leipzig, Kurt Thomas
- Genre
- Classical
- Label
- ETERNA
- Format
- lp
- Country
- German Democratic Republic (GDR)
Why it matters
This ETERNA release captures a quintessential Leipzig interpretation of Bach’s sacred cantatas, featuring the historic Thomanerchor and the Gewandhausorchester. It remains highly regarded by collectors for its authentic connection to the St. Thomas Church tradition, preserving the nuanced performances of mid-twentieth-century masters like Agnes Giebel and Theo Adam.
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About Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49)
Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) is a record in the Vinyl Records catalog on collecto.rs. Johann Sebastian Bach, Agnes Giebel, Marga Höffgen, Hans-Joachim Rotzsch, Theo Adam, Thomanerchor, Gewandhausorchester Leipzig, Kurt Thomas. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) doesn't have any public collectors on collecto.rs yet. Sign up to add it and become the first.
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The catalog entry for Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.
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