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Vinyl Records

Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49)

Johann Sebastian Bach, Agnes Giebel, Marga Höffgen, Hans-Joachim Rotzsch, Theo Adam, Thomanerchor, Gewandhausorchester Leipzig, Kurt Thomas

Label
ETERNA
Catalog number
8 20 162
Format
LP · Mono
Country
German Democratic Republic (GDR)
Genre
Classical
7,978,142records tracked
0copies listed for sale
Tracklist

What’s on it

Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) has 3 tracks. Open a track to see who wrote, played on and produced it.

  1. AChrist Lag In Todesbanden, Kantate Nr. 4
    Alto Vocals
    Marga Höffgen
    Bass Vocals
    Theo Adam
    Basso Continuo, Contrabass
    Heinz Morawietz
    Basso Continuo, Organ
    Hannes Kästner
    Basso Continuo, Violoncello
    Helmut Weimann
    Choir
    Thomanerchor
    Conductor
    Kurt Thomas
    Orchestra
    Gewandhausorchester Leipzig
  2. B1Widerstehe Doch Der Sünde, Kantate Nr. 54
    Alto Vocals
    Marga Höffgen
    Basso Continuo, Contrabass
    Heinz Morawietz
    Basso Continuo, Organ
    Hannes Kästner
    Basso Continuo, Violoncello
    Siegfried Arnold
    Conductor
    Kurt Thomas
    Orchestra
    Gewandhausorchester Leipzig
  3. B2Wer Mich Liebet, Der Wird Mein Wort Halten, Kantate Nr. 49
    Bass Vocals
    Theo Adam
    Basso Continuo, Contrabass
    Konrad Siebach
    Basso Continuo, Organ
    Hannes Kästner
    Basso Continuo, Violoncello
    Helmut Weimann
    Choir
    Thomanerchor
    Conductor
    Kurt Thomas
    Orchestra
    Gewandhausorchester Leipzig
    Soprano Vocals
    Agnes Giebel
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Where to find one

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Provenance

Where it came from

Released under the ETERNA label, this recording captures the tradition of the Thomanerchor, the centuries-old boys' choir of St. Thomas Church in Leipzig where Johann Sebastian Bach served as cantor. Produced during the mid-20th century in the German Democratic Republic, the record serves as a testament to the East German dedication to preserving the Bach legacy despite the political challenges of the era. Kurt Thomas, a distinguished conductor and expert in the Bach repertoire, led these performances to emphasize the rigorous polyphonic structure and spiritual depth inherent in the selected cantatas.

The recording features a notable ensemble of soloists, including Agnes Giebel and Theo Adam, whose contributions were highly regarded in the classical music world for their technical precision and stylistic fidelity. The design of the sleeve is characteristic of ETERNA's functional, academic aesthetic, which prioritized clear documentation of the performers and theological context of the works over ornate visuals. Upon its release, the record was well-received by critics for its authentic sound, which drew directly from the architectural and historical acoustics of the Leipzig tradition.

Written by Pi, the helpful collecto.rs AI

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About

About Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49)

Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) is a record in the Vinyl Records catalog on collecto.rs. Johann Sebastian Bach, Agnes Giebel, Marga Höffgen, Hans-Joachim Rotzsch, Theo Adam, Thomanerchor, Gewandhausorchester Leipzig, Kurt Thomas. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.

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The catalog entry for Christ Lag In Todesbanden (Kantate Nr. 4) / Widerstehe Doch Der Sünde (Kantate Nr. 54) / Wer Mich Liebet, Der Wird Mein Wort Halten (Kantate Nr. 49) is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.

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