Christoph Albrecht An Der Großen Silbermannorgel Des Domes Zu Freiberg (Dritter Teil der Clavier-Übung (Orgelmesse) / Drei Choralbearbeitungen Über "Allein Gott In Der Höh' Sei Ehr" BWV 675, 716, 717 / Einige Canonische Veränderungen Über Das Weihna

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This 1974 ETERNA recording features organist Christoph Albrecht performing on the celebrated Silbermann organ at Freiberg Cathedral, an instrument renowned for its tonal beauty and historical significance in German Baroque music. The pairing of Bach’s complex liturgical compositions with this specific pipe organ offers listeners a historically informed glimpse into the soundscape intended by the composer.

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Tracklist

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Christoph Albrecht An Der Großen Silbermannorgel Des Domes Zu Freiberg (Dritter Teil der Clavier-Übung (Orgelmesse) / Drei Choralbearbeitungen Über "Allein Gott In Der Höh' Sei Ehr" BWV 675, 716, 717 / Einige Canonische Veränderungen Über Das Weihna has 8 tracks.

Dritter Teil Der Clavier Übung
A1Präludium Es-dur BWV 5529:12
A2Kyrie, Gott Vater In Ewigkeit BWV 6693:32
C4Fuge Es-dur BWV 5526:15
D1Fuga Super: Allein Gott In Der Höh' Sei Ehr BWV 7162:25
D2Allein Gott In Der Höh' Sei Ehr BWV 717 (manualiter)2:45
D3Allein Gott In Der Höh' Sei Ehr BWV 6753:20
D4Einige Canonische Veränderungen Über Das Weihnachtslied: Vom Himmel Hoch, Da Komm' Ich Her BWV 76913:05

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Released in 1974 by the East German state-owned label ETERNA, this recording features organist Christoph Albrecht performing on the celebrated Gottfried Silbermann organ at the Freiberg Cathedral. The album serves as an archival documentation of the specific tonal characteristics of the Silbermann instrument, which is widely regarded as a pinnacle of Baroque organ building. The performance focuses on selected movements from Johann Sebastian Bach’s Clavier-Übung III, a collection originally published in 1739 that serves as a cornerstone of German organ literature.

The production reflects the mid-20th-century GDR approach to classical music curation, where state-sponsored recordings sought to emphasize the preservation of historical instruments and rigorous, academic performance traditions. Christoph Albrecht, a respected organist and musicologist, was known for his dedication to historical performance practice within the constraints of his era. The album was primarily distributed within the Eastern Bloc, serving both as a liturgical resource and a technical showcase of the instrument’s intricate registration and historical acoustic properties.

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About Christoph Albrecht An Der Großen Silbermannorgel Des Domes Zu Freiberg (Dritter Teil der Clavier-Übung (Orgelmesse) / Drei Choralbearbeitungen Über "Allein Gott In Der Höh' Sei Ehr" BWV 675, 716, 717 / Einige Canonische Veränderungen Über Das Weihna

Christoph Albrecht An Der Großen Silbermannorgel Des Domes Zu Freiberg (Dritter Teil der Clavier-Übung (Orgelmesse) / Drei Choralbearbeitungen Über "Allein Gott In Der Höh' Sei Ehr" BWV 675, 716, 717 / Einige Canonische Veränderungen Über Das Weihna is a record in the Vinyl Records catalog on collecto.rs. Johann Sebastian Bach, Christoph Albrecht. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.

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Christoph Albrecht An Der Großen Silbermannorgel Des Domes Zu Freiberg (Dritter Teil der Clavier-Übung (Orgelmesse) / Drei Choralbearbeitungen Über "Allein Gott In Der Höh' Sei Ehr" BWV 675, 716, 717 / Einige Canonische Veränderungen Über Das Weihna doesn't have any public collectors on collecto.rs yet. Sign up to add it and become the first.

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