Ein Bündel Fäulnis In Der Grube = 腐敗のルツボ

Ein Bündel Fäulnis In Der Grube was released in 1984 as the debut solo studio album by German musician Holger Hiller. Following his departure from the influential Neue Deutsche Welle band Palais Schaumburg, Hiller sought to explore more experimental and avant-garde territories, utilizing sophisticated sampling techniques and unconventional soundscapes that moved beyond the constraints of traditional post-punk. The album was recorded primarily in London and reflects the artist's immersion in the city's experimental music scene at the time.

The album is noted for its meticulous production, which relied heavily on early digital sampling technology, blending spoken word, fragmented pop structures, and industrial textures. The specific Japanese pressing, catalog number SP25-6001, reflects the international interest in Hiller's work during the mid-eighties as his innovative use of the Fairlight CMI sampler began to influence the broader development of electronic music. It was generally received by contemporary critics as a challenging, cerebral work that distanced itself from the commercial sensibilities of his previous output.