He Was Hung-Up For My Hang-Ups

Released in 1976 on the Sound of Gospel label, this album captures the powerful choral arrangements of Dr. Mattie Moss Clark, a pivotal figure in the development of contemporary gospel music. The Michigan State Community Choir, operating under her direction, serves as the primary ensemble for this collection, reflecting the energetic and spirit-filled aesthetic that defined the Detroit gospel scene during the mid-1970s. The record functions both as a religious testimony and a demonstration of the intricate vocal harmonies that were the trademark of Clark's institutional influence on sacred choral music.

The album reflects the production values typical of the Sound of Gospel Records label, which was instrumental in bringing regional gospel choirs to a national audience. Dr. Clark, often credited with formalizing the way choirs sang during the gospel explosion of the era, utilized this project to showcase a blend of traditional hymns and contemporary gospel arrangements. While the record is primarily valued by collectors of the Detroit gospel sound and scholars of African American religious music, it remains a testament to Clark's enduring legacy as an educator and choir director who shaped the sound of the Church of God in Christ.