J Jazz: Deep Modern Jazz From Japan (Volume 4) (The Nippon Columbia Label 1968-1981)
Various
- Artist
- Various
- Label
- BBE
- Catalog number
- BBE731CLP
- Format
- LP · Compilation · Stereo
- Country
- UK
- Released
- 2023
- Genre
- Jazz
- Barcode
- 197188693732
What’s on it
J Jazz: Deep Modern Jazz From Japan (Volume 4) (The Nippon Columbia Label 1968-1981) has 14 tracks, about 1:57:51 of music. Open a track to see who wrote, played on and produced it.
A1Exchange
- Composed By
- Fumio Itabashi
A2The Ground For Peace
- Composed By
- Yasuo Arakawa
B1Chakkiri-Bushi
- Composed By
- 町田嘉章
B2Trial Road
- Composed By
- Tomoki Takahashi
B3A Muddy Muffin
- Composed By
- Masahiko Satoh
C1Samba De Negrito
- Composed By
- Hideo Ichikawa
C2Scramble
- Composed By, Arranged By
- Hiromasa Suzuki
D1Prelude To The Afternoon Of A Faun
- Arranged By
- Hiromasa Suzuki
- Composed By
- Claude Debussy
D2Toppu
- Composed By
- Shigeharu Mukai
E1Ogi Denju-shiki
- Composed By, Arranged By
- Kozaburo Yamaki
E2Jones Street
- Composed By, Arranged By
- Kiyoshi Sugimoto
E3Mickey's Samba
- Composed By
- Mikio Masuda
F1Kaleidoscope (Edit)
- Composed By, Arranged By
- Kazumi Watanabe, Mickie Yoshino
F2By The Red Stream
- Composed By, Arranged By
- Hiromasa Suzuki
Where to find one
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Where it came from
Released in 2023 by the London-based label BBE Music, this compilation represents the fourth installment in their acclaimed J Jazz series. The project was conceived to curate and archive the prolific yet globally under-recognized era of Japanese modern jazz recorded between 1968 and 1981. By focusing specifically on the archives of Nippon Columbia, the curators sought to spotlight the unique intersection of post-bop, spiritual jazz, and fusion that flourished in Japan during this period, often characterized by complex arrangements and an emphasis on technical virtuosity.
The design and compilation process for the volume involved extensive research into the label’s master tapes, aiming to bridge the gap between niche Japanese collector culture and international audiences. The collection is highly regarded by jazz enthusiasts and music historians for its role in contextualizing a scene that was largely self-contained at the time of its inception. Critics and fans alike have praised the series for providing a high-quality, accessible entry point into a sophisticated regional jazz canon that had remained inaccessible to many Western listeners for decades.
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About J Jazz: Deep Modern Jazz From Japan (Volume 4) (The Nippon Columbia Label 1968-1981)
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