%20%2F%20%22Magnificat%22%20(F%C3%BCr%20Soli%2C%20Chor%20Und%20Orchester%20D-dur%2C%20BWV%20243))
"Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243)
Johann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Münchener Bach-Orchester, Karl Richter
- Label
- Archiv Produktion
- Catalog number
- 198 197
- Format
- LP · Album · Stereo
- Country
- Germany
- Released
- 1963
- Genre
- Classical
What’s on it
"Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243) has 2 tracks, about 8:30 of music. Open a track to see who wrote, played on and produced it.
A1(Coro) "Jesu, Der Du Meiner Seele"
- Bass Vocals
- Kieth Engen
- Orchestra
- Solistengemeinschaft Der Bachwoche Ansbach
- Producer
- Hans Hickmann
- Score Editor [Krit. Textrev.]
- Wilhelm Rust
- Soprano Vocals
- Ursula Buckel
- Tenor Vocals
- John van Kesteren
B1aMagnificat
- Bass Vocals
- Dietrich Fischer-Dieskau
- Orchestra
- Münchener Bach-Orchester
- Producer
- Karl-Heinz Schneider
- Score Editor [Krit. Textrev.]
- Alfred Dürr
- Soprano Vocals
- Maria Stader
- Tenor Vocals
- Ernst Haefliger
Where to find one
Search for "Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243) on the marketplaces collectors use.
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Where it came from
Released in 1963 on the Deutsche Grammophon Archiv Produktion label, this recording reflects the mid-twentieth-century resurgence of historically informed performance practices championed by conductor Karl Richter. Recorded with the Münchener Bach-Chor and the Münchener Bach-Orchester, these performances of BWV 78 and BWV 243 aimed to capture a sense of monumental clarity and spiritual depth. The release was part of a larger, ambitious endeavor to record the major choral works of Johann Sebastian Bach, marking a pivotal moment in how Baroque music was packaged and perceived by the post-war German public.
The album cover and production design reflect the understated, scholarly aesthetic of the Archiv Produktion series, which focused on authoritative interpretations of early music. Karl Richter's approach, characterized by precise articulation and a powerful, orchestral sense of drama, was both celebrated for its technical brilliance and eventually debated as musicological standards evolved in the following decades. At the time of its release, the set was praised for its technical fidelity and the cohesive, resonant sound quality that became a hallmark of the collaboration between the Bach-Chor and Richter.
Written by Pi, the helpful collecto.rs AI
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About "Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243)
"Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243) is a record in the Vinyl Records catalog on collecto.rs. Johann Sebastian Bach, Münchener Bach-Chor, Solistengemeinschaft Der Bachwoche Ansbach, Münchener Bach-Orchester, Karl Richter. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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"Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243) doesn't have any public collectors on collecto.rs yet. Sign up to add it and become the first.
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The catalog entry for "Jesu, Der Du Meine Seele" (Kantate Am 14. Sonntag Nach Trinitatis, BWV 78) / "Magnificat" (Für Soli, Chor Und Orchester D-dur, BWV 243) is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.
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