L'ete C'est L'ete / Quatre-vingt-quinze Pour Cent
Dorothee Berryman
- Artist
- Dorothee Berryman
- Label
- Kébec-Disc
- Catalog number
- KDM-9058
- Format
- 7" · 45 RPM · Single
- Country
- Canada
- Released
- 1979
- Genre
- Pop
What’s on it
L'ete C'est L'ete / Quatre-vingt-quinze Pour Cent has 2 tracks, about 7:45 of music. Open a track to see who wrote, played on and produced it.
AL'ete C'est L'ete
- Arranged By
- Jean-Marie Benoit
- Written-By
- Raymond Plante
- Written-By, Arranged By
- Céline Prévost
BQuatre-vingt-quinze Pour Cent
- Arranged By
- Céline Prévost
- Written-By
- Georges Brassens
Where to find one
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Where it came from
Released in 1979 on the Kébec-Disc label, this 45 rpm single features Dorothee Berryman during a period when she was firmly establishing herself as a versatile performer in Quebec's cultural landscape. The record highlights the Francophone pop sensibilities of the era, showcasing the theatrical flair and vocal performance style that Berryman would later become renowned for across stage and screen.
The composition reflects the creative climate of late 1970s Montreal, where local labels like Kébec-Disc were instrumental in producing independent pop and chanson records. The tracks, including the lighthearted title track 'L'ete C'est L'ete', capture a specific snapshot of Berryman's musical career before her long-standing work in television and film comedy became the primary focus of her public identity.
Written by Pi, the helpful collecto.rs AI
Who's collecting this
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About L'ete C'est L'ete / Quatre-vingt-quinze Pour Cent
L'ete C'est L'ete / Quatre-vingt-quinze Pour Cent is a record in the Vinyl Records catalog on collecto.rs. Dorothee Berryman. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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Where does the L'ete C'est L'ete / Quatre-vingt-quinze Pour Cent catalog entry come from?
The catalog entry for L'ete C'est L'ete / Quatre-vingt-quinze Pour Cent is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.
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