No Nukes - The Muse Concerts For A Non-Nuclear Future
Various
- Artist
- Various
- Label
- Asylum Records
- Catalog number
- ML-801
- Format
- LP · Album
- Country
- US
- Released
- 1979
- Genre
- Rock
What’s on it
No Nukes - The Muse Concerts For A Non-Nuclear Future has 27 tracks, about 1:50:24 of music. Open a track to see who wrote, played on and produced it.
A1Dependin' On You
- Bass
- Tiran Porter
- Drums
- Chet McCracken, Keith Knudsen
- Guitar
- John McFee, Patrick Simmons
- Organ, Saxophone
- Cornelius Bumpus
- Vocals, Keyboards
- Michael McDonald
A2Runaway
- Bass, Vocals
- Freebo
- Drums
- Dennis Whitted
- Guitar
- John Joseph Hall
- Guitar, Vocals
- Bonnie Raitt, Will McFarlane
- Piano
- Bill Payne
- Vocals
- Rosemary Butler
A3Angel From Montgomery
- Bass, Vocals
- Freebo
- Drums
- Dennis Whitted
- Guitar, Vocals
- Will McFarlane
- Organ
- John Joseph Hall
- Piano
- Bill Payne
- Vocals
- Rosemary Butler
- Vocals, Guitar
- Bonnie Raitt
A4Plutonium Is Forever
- Bass
- David Schwartz (2)
- Drums
- Chris Parker (2)
- Guitar, Vocals
- John Joseph Hall
- Keyboards
- Louis Levin
- Percussion
- Jody Linscott
- Saxophone
- Josh Schneider (2)
- Vocals
- Lynn Pitney, Phillip Ballou
A5Power
- Backing Vocals
- Bonnie Raitt, Brenda Lee Eager, Carly Simon, Doug Haywood, Graham Nash, Jackson Browne
B1The Times They Are A-Changin'
- Guitar, Vocals
- James Taylor (2)
- Keyboards
- Don Grolnick
- Vocals
- Carly Simon, Graham Nash
B2Cathedral
- Acoustic Guitar
- David Lindley
- Bass
- Tim Drummond
- Drums
- Russ Kunkel
- Organ, Synthesizer
- Craig Doerge
- Percussion
- Jody Linscott
- Piano, Vocals
- Graham Nash
- Vocals
- Brenda Lee Eager, Cleopatra Kennedy
B3The Crow On The Cradle
- Fiddle
- David Lindley
- Guitar, Vocals
- Jackson Browne
- Synthesizer
- Craig Doerge
- Vocals
- Graham Nash
B4Before The Deluge
- Bass
- Bob Glaub
- Drums
- Russ Kunkel
- Fiddle
- David Lindley
- Organ, Synthesizer [String Synthesizer]
- Craig Doerge
- Percussion
- Jody Linscott
- Piano, Vocals
- Jackson Browne
- Vocals
- Doug Haywood, Rosemary Butler
C1Lotta Love
- Bass
- Tiran Porter
- Drums
- Chet McCracken, Keith Knudsen
- Guitar
- John McFee
- Guitar, Vocals
- Patrick Simmons
- Keyboards, Vocals
- Michael McDonald
- Organ, Saxophone
- Cornelius Bumpus
- Percussion
- Ted Templeman
C2Little Sister
- Bass
- Tim Drummond
- Drums
- Jim Keltner
- Guitar
- David Lindley
- Guitar, Vocals
- Ry Cooder
- Organ
- William Smith (2)
- Percussion
- George "Baboo" Pierre
- Vocals
- Bobby King, Herman Johnson
C3A Woman
- Vocals
- Bernice Johnson Reagon, Bheti Yasmeen Williams, Evelyn Maria Harris, Tulani Jordan
C4We Almost Lost Detroit
- Bass
- Robbie Gordon
- Drums
- Tony Green (19)
- Guitar
- Ed Brady
- Horns, Piano, Flute
- Carl Cornwell
- Keyboards, Vocals
- Gil Scott-Heron
C5Get Together
- Backing Vocals
- Doug Haywood, Graham Nash, Jackson Browne, Rosemary Butler, Suzi Young
- Bass
- Bob Glaub
- Drums
- Russ Kunkel
- Guitar
- Steve Beckmeier
D1You Can't Change That
- Bass, Vocals
- Ray Parker Jr.
- Drums, Vocals
- Larry Tolbert
- Guitar, Vocals
- Charles Fearing
- Piano, Vocals
- Darren Carmichael
- Synthesizer, Vocals
- Arnell Carmichael
D2Once You Get Started
- Backing Vocals
- Charlotte Crossley
- Bass
- Anthony Jackson
- Bass, Backing Vocals
- Mark Stevens
- Drums
- Steve Ferrone
- Guitar
- Jeff Mironov
- Guitar, Backing Vocals
- Hamish Stuart
- Guitar, Soloist [Solo]
- Phil Upchurch
- Keyboards
- Arthur Jenkins
D3Captain Jim's Drunken Dream
- Drums
- Russ Kunkel
- Guitar
- Waddy Wachtel
- Guitar, Vocals
- James Taylor (2)
- Piano
- Don Grolnick
D4Honey Don't Leave L.A.
- Backing Vocals
- Arnold McCuller, David Lasley
- Bass
- Leland Sklar
- Drums
- Russ Kunkel
- Guitar
- Danny Kortchmar, Waddy Wachtel
- Guitar, Vocals
- James Taylor (2)
- Keyboards
- Don Grolnick
D5Mockingbird
- Backing Vocals
- Arnold McCuller, David Lasley
- Bass
- Leland Sklar
- Drums
- Russ Kunkel
- Guitar
- Danny Kortchmar, Waddy Wachtel
- Guitar, Vocals
- James Taylor (2)
- Keyboards
- Don Grolnick
E1Heart Of The Night
- Bass, Vocals
- Charlie Harrison
- Drums
- Steve Chapman (2)
- Keyboards, Vocals
- Kim Bullard
- Lead Guitar, Rhythm Guitar
- Paul Cotton
- Pedal Steel Guitar
- Rusty Young
- Saxophone
- Phil Kenzie
E2Cry To Me
- Bass
- Ron Blair
- Drums, Backing Vocals
- Stan Lynch
- Keyboards
- Benmont Tench
- Lead Guitar
- Mike Campbell
- Rhythm Guitar, Lead Vocals
- Tom Petty
E3Stay
- Drums
- Max Weinberg
- Guitar, Backing Vocals
- Steve Van Zandt
- Guitar, Vocals
- Bruce Springsteen
- Organ
- Danny Federici
- Piano, Backing Vocals
- Roy Bittan
- Saxophone, Backing Vocals
- Clarence Clemons
- Vocals
- Jackson Browne, Rosemary Butler
E4Medley: Devil With The Blue Dress / Good Golly, Miss Molly / Jenny Take A Ride
- Drums
- Max Weinberg
- Guitar, Backing Vocals
- Steve Van Zandt
- Guitar, Vocals
- Bruce Springsteen
- Organ
- Danny Federici
- Piano, Backing Vocals
- Roy Bittan
- Saxophone, Backing Vocals
- Clarence Clemons
- Vocals
- Jackson Browne, Rosemary Butler
F1You Don't Have To Cry
- Guitar
- Stephen Stills
- Vocals
- David Crosby, Graham Nash, Stephen Stills
F2Long Time Gone
- Bass
- Tim Drummond
- Drums
- Russ Kunkel
- Guitar, Vocals
- David Crosby, Graham Nash
- Keyboards
- Craig Doerge
- Lead Guitar, Vocals
- Stephen Stills
- Percussion
- Joe Lala
F3Teach Your Children
- Bass
- Tim Drummond
- Drums
- Russ Kunkel
- Guitar, Vocals
- David Crosby, Graham Nash
- Keyboards
- Craig Doerge
- Lead Guitar, Vocals
- Stephen Stills
- Percussion
- Joe Lala
F4Takin' It To The Streets
- Backing Vocals
- Bonnie Raitt, Brenda Lee Eager, Carly Simon, Cleopatra Kennedy, Doug Haywood, Gloria Coleman
Where to find one
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Where it came from
The No Nukes triple album was recorded during the 1979 concert series held at Madison Square Garden in New York City. The concerts were organized by Musicians United for Safe Energy, a collective founded by activists and artists including Jackson Browne, Graham Nash, Bonnie Raitt, and John Hall, following the Three Mile Island nuclear accident. The objective was to raise public awareness and funds for the anti-nuclear movement, reflecting the heightened political anxieties and environmental activism prevalent in the late 1970s.
Musically, the album serves as a definitive document of the era's singer-songwriter and folk-rock scene. The design and curation reflect an earnest, grassroots approach to political advocacy, featuring live performances from artists like Bruce Springsteen, Carly Simon, and James Taylor. While the project was commercially successful and well-received as a milestone in socially conscious rock history, it is primarily regarded today for its archival value in capturing a specific moment when popular music became a central tool for mass environmental mobilization.
Written by Pi, the helpful collecto.rs AI
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