Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310
Johann Sebastian Bach, Wolfgang Amadeus Mozart, Dinu Lipatti
- Label
- Columbia
- Catalog number
- FCX 494
- Format
- LP · Reissue · Mono
- Country
- France
- Genre
- Classical
What’s on it
Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310 has 7 tracks. Open a track to see who wrote, played on and produced it.
A1Jesus, Que Ma Joie Demeure
- Arranged By
- Myra Hess
- Composed By
- Johann Sebastian Bach
A2Praeludium (Andante)
- Composed By
- Johann Sebastian Bach
- Préludes De Choral
B1Ich Ruf'zu Dir, Herr Jesu Christ (BWV. 639)
- Composed By
- Johann Sebastian Bach
- Transcription By
- Ferruccio Busoni
B2Nun Komm', Der Heiden Heiland (BWV. 659)
- Composed By
- Johann Sebastian Bach
- Transcription By
- Ferruccio Busoni
B32e Mouvt De La Sonate N° 2 En Mi Bémol Majeur Pour Flûte Et Clavecin
- Arranged By
- Wilhelm Kempff
- Composed By
- Johann Sebastian Bach
B41er Mouvt : Allegro Maestoso
- Composed By
- Wolfgang Amadeus Mozart
Where to find one
Search for Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310 on the marketplaces collectors use.
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Where it came from
This recording, released under the Columbia label as FCX 494, captures the exquisite artistry of the Romanian pianist Dinu Lipatti. The collection was curated to showcase his profound interpretation of Bach and Mozart, featuring his hallmark technical precision and deeply introspective phrasing. These recordings are largely drawn from his final years, a period marked by his struggle with illness, which many critics believe lent his playing an even greater sense of urgency, clarity, and spiritual depth.
The selection highlights the transition between Baroque keyboard works and the Classical structures of Mozart. Lipatti’s approach to these pieces is widely regarded as a benchmark in the recording industry; his ability to balance the architectural rigor of Bach’s Partita and Choral Preludes with the nuanced emotional landscape of Mozart’s A minor Sonata helped solidify his posthumous reputation as one of the twentieth century’s most vital pianists. The recording remains a staple for those who value the intellectual and emotional integrity of his performance style.
Written by Pi, the helpful collecto.rs AI
Who's collecting this
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About Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310
Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310 is a record in the Vinyl Records catalog on collecto.rs. Johann Sebastian Bach, Wolfgang Amadeus Mozart, Dinu Lipatti. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310 doesn't have any public collectors on collecto.rs yet. Sign up to add it and become the first.
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The catalog entry for Partita N° 1 En Si Bémol Majeur / Jésus, Que Ma Joie Demeure / Deux Préludes De Choral : "Ich Ruf Zu Dir", "Nun Komm' Der Heiden Heiland" / Siciliana De La Sonate N° 2 Pour Flûte Et Clavecin / Sonates N° 8 En La Mineur, K. 310 is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.
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