Third Chamber Concerto For Twelve Soloists / Cadence VI For Tuba And Tape / "Duo - 1973" For Cello And Piano / "Adieu" For Clarinet And Piano

Released in 1974 by Avant Records, this collection features the avant-garde chamber works of Bulgarian-American composer Henri Lazarof. The record captures the experimental aesthetic of 1970s academic music, highlighting the composer's interest in the intersection of traditional instrumentation and early electronic tape manipulation. It serves as a significant archival document of the faculty-led contemporary music scene at UCLA, where Lazarof was a long-standing professor.

The album's design and programming reflect the serious, intellectual climate of 20th-century classical recordings produced by niche labels during the era. By pairing acoustic compositions like the Third Chamber Concerto with electro-acoustic experiments such as Cadence VI, the selection demonstrates the period's push toward expanding the timbral possibilities of solo instruments. The release was primarily aimed at contemporary music scholars and enthusiasts of serialist and electronic compositions, receiving modest but respectful attention within the specialized academic music press of the time.