Future Boy Conan 2: Taiga Adventure
1999 • Nippon Animation
- Format
- TV
- Aired
- 1999
- Episodes
- 24
- Status
- Finished
- Studio
- Nippon Animation
- Genres
- Adventure · Drama · Science fiction
An adventure story about "Ooparts Egg" and a huge stone statue called "Oobats" which was excavated from the remains of ancient times around two thousand years ago.
Taiga travels around the world with his father, archeologist Dr. Daino. They come to South America to investigate ancient ruins discovered by treasure hunters. There they find a stone statue of a gigantic bird which is more than 50 meters long. How was this statue made more than 20,000 years ago? Who made it and for what purpose? To their surprise, the stone bird wakes up and flies away before their very eyes. They discover that this stone bird is called "Oobats" and that when it has "Ooparts Egg", it becomes a dangerous weapon which could destroy the whole universe. The stone bird in the ruins wakes up and flies away to seek Ooparts Egg! Taiga must not allow this to happen...
Synopsis from AniList
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Where it came from
Future Boy Conan 2: Taiga Adventure was produced by Nippon Animation and released in 1999 as a spiritual successor to the 1978 landmark series Future Boy Conan. While it shares the original title's branding, the project was designed as a distinct narrative centered on the protagonist Taiga, moving away from the post-apocalyptic setting of the Hayao Miyazaki-directed original to explore themes of survival and exploration in a new world. The series was directed by Keiji Hayakawa, who aimed to capture a sense of adventure that resonated with younger audiences at the turn of the millennium.
The reception of the series was largely shaped by the enduring legacy of its predecessor. Because the original 1978 series is held in such high regard due to its foundational role in anime history and its connection to Studio Ghibli's founders, Taiga Adventure faced significant scrutiny from fans who were looking for a direct continuation. Consequently, it is frequently discussed by historians and collectors as an experimental entry in the Nippon Animation catalog that attempted to modernize the adventurous spirit of the studio's classic works for a late-90s television landscape.
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