Ghost in the Shell 2.0
2008 • Production I.G
- Format
- MOVIE
- Aired
- 2008
- Episodes
- 1
- Status
- Finished
- Studio
- Production I.G · Bandai Visual
- Genres
- Action · Psychological · Science fiction
In the year 2029, the world is made borderless by the net; augmented humans live in virtual environments, watched over by law enforcement that is able to download themselves into super-powered, crime busting mecha. The ultimate secret agent of the future is not human, has no physical body, and can freely travel the information highways of the world, hacking and manipulating whatever and whenever required.
Note: Ghost in the Shell 2.0 is a renewed version of the 1995 film produced as part of celebration for the release of The Sky Crawlers in 2008. For the Version 2.0, all the animation was re-produced using the latest technology such as 3D-CGI, and the soundtrack was also remastered. All the voices were re-recorded. Notably, the voice actor of the "Puppet Master" was changed from Kayumi Iemasa to that of Sakakibara Yoshiko, and some dialogues were changed from the original. Kawai Kenji remixed the music with 6.1 channel surround, and Randy Thom of Skywalker Sound joined as Sound Designer to improve the sound.
Synopsis from AniList
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Where it came from
Ghost in the Shell 2.0 was released in 2008 as a comprehensive revision of Mamoru Oshii’s seminal 1995 cyberpunk film. Produced by Production I.G, the project was conceived to mark the 15th anniversary of the original work and to align the aesthetic of the first film with the visual fidelity of its sequel, Ghost in the Shell 2: Innocence. The process involved replacing several key sequences with modern computer-generated imagery, revising the color palette, and re-recording the audio track in 6.1 surround sound.
The creative direction was spearheaded by Oshii, who sought to integrate seamless digital effects into the hand-drawn foundation of the original celluloid. While the digital enhancements were intended to create a more immersive experience for contemporary audiences, the release sparked significant discourse among long-time fans and critics. Many lauded the effort to revitalize a classic for a new era of digital cinema, while others felt the revision altered the distinct atmosphere and tactile texture of the original 1995 production.
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