Kabaneri of the Iron Fortress
2016 • WIT STUDIO
- Format
- TV
- Aired
- 2016
- Episodes
- 12
- Status
- Finished
- Studio
- WIT STUDIO · Aniplex · Funimation · Crunchyroll
- Genres
- Action · Drama · Fantasy · Horror
As the world is in the middle of an industrial revolution, a monster appears that cannot be defeated unless its heart, which is protected by a layer of iron, is pierced. By infecting humans with its bite, the monster can create aggressive and undead creatures known as Kabane. On the island Hinomoto, located in the far east, people have built stations to shelter themselves from these creatures. People access the station, as well as transport wares between them, with the help of a locomotive running on steam, called Hayajiro. Ikoma, a boy who lives in the Aragane station and helps to build Hayajiro, creates his own weapon called Tsuranukizutsu in order to defeat the creatures. One day, as he waits for an opportunity to use his weapon, he meets a girl named Mumei, who is excused from the mandatory Kabane inspection. During the night, Ikoma meets Mumei again as he sees Hayajiro going out of control. The staff on the locomotive has turned into the creatures. The station, now under attack by Kabane, is the opportunity Ikoma has been looking for.
Synopsis from AniList
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Where it came from
Kabaneri of the Iron Fortress emerged in 2016 from WIT Studio, the production house renowned for its work on Attack on Titan. Directed by Tetsurō Araki with original character designs by Haruhiko Mikimoto, the series was conceived as an original steampunk survival drama. It depicts a post-apocalyptic Japan overrun by 'Kabane', aggressive undead creatures, where humanity survives within fortified stations connected by armored steam locomotives.
The visual identity of the show, particularly the intricate design of the steam-powered weaponry and the industrial aesthetic of the 'Kotetsujo' train, was highly regarded for its technical ambition. While the series drew frequent comparisons to the studio's previous work, critics praised the high-octane action choreography and the distinct visual flair introduced by Mikimoto. It remains a notable entry in the studio's portfolio, reflecting the mid-2010s trend of high-budget, original action anime productions.
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