No Money!
2007 • Media Blasters
- Format
- OVA
- Aired
- 2007
- Episodes
- 4
- Status
- Finished
- Studio
- Media Blasters · Lilix
- Genres
- Drama · Romance
Yukiya Ayase is a gentle, kind hearted, and innocent university student. The only relative he has left, his cousin Tetsuo, betrays Ayase by selling him to the highest bidder in an auction with hopes of making an enormous profit to be able to pay off his debts. Somuku Kanou, a bad-tempered (though very rich) loan shark, comes to Ayase's rescue and buys Ayase for an impressive 1.2 billion. Kanou apparently knows Ayase from something that happened between them in the past, but Ayase cannot remember who Kanou is nor does he understand why he "saved" him. In a desperate effort to keep Ayase close to him, Kanou demands the debt be repaid in full and suggests the perfect way to do it: by selling his body to Kanou for 500,000 each time. Ayase is horrified in the beginning, but something soon begins to grow between them that can't be bought for any price.
Synopsis from AniList
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Where it came from
No Money! is a two-episode original video animation (OVA) released in 2007 by the North American distributor Media Blasters under their Kitty Media label. Based on the boys' love manga series by Bitou Aiko, the animation follows the story of a young man who is sold into debt-based servitude to an eccentric businessman. It emerged during a period in the mid-2000s when North American anime licensors were actively expanding their catalogs to include niche mature-themed titles to cater to the growing international interest in the yaoi genre.
The production sought to condense the comedic and romantic tensions of the original manga into a short-form format. While the source material was popular among dedicated fans of the genre, the animated adaptation received a mixed reception. Critics and viewers often pointed to the stark differences in visual quality compared to mainstream television anime of the era, noting that the animation prioritized the character dynamics and tropes central to the boys' love genre over high-fidelity production values.
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