Symphogear GX
2015 • Satelight
- Format
- TV
- Aired
- 2015
- Episodes
- 13
- Status
- Finished
- Studio
- Satelight
- Genres
- Action · Drama · Mahou Shoujo · Music
Following the events of Senki Zesshou Symphogear G, Hibiki Tachibana, Tsubasa Kazanari, and Chris Yukine continue to operate under the command of Genjuurou Kazanari. Meanwhile, Maria Cadenzavna Eve, Kirika Akatsuki, and Shirabe Tsukuyomi are taken into protective custody. With peace restored, everyone returns to their daily lives; however, the appearance of the alchemist Carol Malus Dienheim and her subordinates—the "Autoscorers"—threatens to draw everyone back into a conflict.
Armed with a strange and magical power, Carol wishes to initiate the apocalypse and bring destruction to the world... and she is willing to sacrifice everything to do so. Against this mysterious new foe, the six Symphogear wielders must rise to the challenge in order to protect what they hold dear. However, will Carol and her Autoscorers prove to be too much to handle in this fight to protect the fate of the world?
Synopsis from AniList
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Where it came from
Symphogear GX represents the third installment in the high-octane musical action franchise produced by studio Satelight. First airing in 2015, the series was created by Noriyasu Agematsu and Akifumi Kaneko, who aimed to blend traditional magical girl tropes with intense science fiction aesthetics and hard-hitting musical performances. The production sought to elevate the series' signature 'musical combat' mechanic, where the protagonists derive their power from singing while battling extraterrestrial threats known as Noise and the antagonistic Alca-Noise.
The visual design of the series is heavily influenced by the work of character designer Satoru Fujimoto, who focused on creating intricate, mechanized armors known as Symphogears that reflect each wielder's personality and musical theme. Upon its release, GX was noted for its frantic pacing and its commitment to the escalating stakes established in previous seasons. It was received favorably by fans of the genre for its technical ambition and the integration of character songs directly into the narrative progression of the action sequences.
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