Boekverluchters uit de omgeving van Maria van Bourgondië

Published in 1969 by the Paleis der Academiën in Brussels, this scholarly work by Gerard Isaac Lieftinck serves as a foundational study on the manuscript illuminators associated with the court of Mary of Burgundy. Lieftinck, a respected codicologist and paleographer, focused his research on identifying the hands and workshops active in the late 15th century, a period marked by the transition from traditional Gothic styles to the more naturalistic influence of the Early Netherlandish painters.

The book is a product of post-war academic efforts to systematize the study of Flemish illumination, moving beyond aesthetic appreciation toward rigorous stylistic analysis. Lieftinck aimed to categorize the elusive anonymous artists of the Burgundian circle by examining the subtle nuances in their techniques and motifs. The publication was well-received within the specialist community of art historians and medievalists, providing a reference point for scholars tasked with attributing undated, unsigned liturgical and devotional texts to specific masters.