Klaus Mettig

Published in 1982 by the LVR-LandesMuseum in Bonn, this monograph documents the photographic practice of Klaus Mettig, an artist recognized for his rigorous exploration of visual perception and the intersection of reality and representation. Mettig rose to prominence in the German art scene during the 1970s and 80s, often utilizing projection techniques and slide installations to challenge the viewer's understanding of space and imagery. This publication serves as a primary record of his early to mid-career output, cataloging his efforts to deconstruct the photographic medium through subtle shifts in focus and layering.

The volume functions as both a retrospective and a critical apparatus for Mettig's work, capturing the intellectual climate of the West German art world at the time. The design reflects the period's minimalist aesthetic, prioritizing the clarity of the photographic plates and the conceptual framework of the artist's series. It was released to coincide with institutional exhibitions, solidifying Mettig’s reputation among curators and critics who sought to elevate experimental photography into the realm of high-concept fine art. The book remains a reference point for those studying the evolution of subjective, project-based photography in postwar Germany.