Paul Jenkins

Published in 1966 by Imago Terrae, this monograph serves as a significant archival look at the mid-career output of American Abstract Expressionist Paul Jenkins. The book emerged during a period of high international recognition for Jenkins, whose unique technique of pouring acrylic paint across canvases helped define the post-war Lyrical Abstraction movement. It captures his commitment to exploring the physical properties of paint, light, and transparency, reflecting the artistic climate of the 1960s when he was transitioning from his earlier, darker explorations toward the ethereal, luminous compositions for which he became best known.

The volume functions as both a catalogue and a scholarly document, highlighting the artist's focus on the organic nature of color application. By documenting his methodology and the philosophical underpinnings of his work, the book provides a grounded context for how Jenkins moved away from the gestural turbulence of his peers toward a more meditative, fluid practice. Upon its release, the publication was received as a essential resource for understanding the technical evolution of his stained-canvas approach and solidified his reputation as a master of the poured medium in both European and American art circles.