Anthology Of Indian Classical Music = Anthologie De La Musique Classique De L'Inde (A Tribute To Alain Daniélou = Hommage À Alain Daniélou)
Various
- Artist
- Various
- Label
- Auvidis
- Catalog number
- D 8270
- Released
- 1997
- Country
- France
- Format
- Compilation · Reissue
- Barcode
- 3298490082706
What’s on it
Anthology Of Indian Classical Music = Anthologie De La Musique Classique De L'Inde (A Tribute To Alain Daniélou = Hommage À Alain Daniélou) has 35 tracks. Open a track to see who wrote, played on and produced it.
- North = Nord
1-1Le Mode Bhairavi
- Shanai [Shahnaï]
- Durga Prasanna, Raghunath Prasanna
- Tambourine [Khurdak]
- Katvaru Lal
1-2Khyal
- Lyrics By
- Sadharana
- Vocals
- Moinuddin Dagar, Nasir Aminuddin Dagar
1-3Le Mode Ahiri-Lalita
- Sitar
- Ravi Shankar
1-4Le Mode Malkosh
- Flute
- Mishra Shyam Lal
- Tabla
- D.K. Chatterji
1-5Le Mode Todî
- Sarangi [Sârangî]
- Narayan Das Mishra
- Tabla
- Mishra Shyam Lal
1-6Gat
- Veena [Vînâ]
- Swami D.R. Parvatikar
1-7Tabla Solo
- Tabla
- Chatur Lal
1-8Sitar, Sarode Et Tabla
- Sarod
- Ali Akbar Khan
- Sitar
- Ravi Shankar
- Tabla
- Chatur Lal
1-9Alap
- Vocals
- Moinuddin Dagar, Nasir Aminuddin Dagar
1-10Le Mode Sindhi-Bhairavi
- Sarod
- Ali Akbar Khan
2-1Thumri
- Flute
- Raghunath Prasanna
- Tambourine [Khurdak]
- Motilal
2-2Svara Mandala
- Cimbalom [Svara Mandala]
- Swami D.R. Parvatikar
2-3Bhajana
- Tabla
- Mishra Shyam Lal
- Vocals
- Nandan Prasad
2-4Le Mode Suha Kamode
- Veena [Vînâ]
- Swami D.R. Parvatikar
- South = Sud
2-5Jatisvaram
- Flute
- Tanjore Viswanathan
- Mridangam
- Tanjore Ranganathan
- Vocals
- Bala Sarasvati, Jayammal
- Vocals, Cymbal
- K. Ganeshan
2-6Alapana
- Vocals
- P.R. Balasubramanyam
2-7Alapana
- Percussion [Thaval]
- Muthu Kumaram
- Violin
- Tiruvallur Subrahmanyam
- Wind [Nagasvaram]
- K.M. Dakshinamurti, K.S. Pichiappa
2-8Kriti
- Vocals
- Kamala Krishnamurti
2-9Tirmana
- Vocals, Cymbal
- K. Ganeshan
2-10Le Mode Varali
- Mridangam
- Palghat Kunjumani, Shiva Pattamal
- Violin
- Tiruvallur Subrahmanyam
- Vocals
- Damal Krishna Pattamal
2-11Ganesha Kumara
- Mridangam
- Tinniyam Venkatarama Aiyar
- Veena [Gottuvâdyam]
- Budalur Krishnamurti Shastri
- Violin
- Varahur Muthusvami Aiyar
- Written-By
- Muthuswami Dikshitar
3-1Pallavi
- Mridangam
- Karaikudi Mutha
- Violin
- M. Chandrashekharan
- Vocals
- Mudi Kondan C. Venkatarama, Vellore Gopalachari
3-2Javali
- Flute
- Tanjore Viswanathan
- Mridangam
- Tanjore Ranganathan
- 3-3Pallavi
3-4Javali
- Mridangam
- Karaikudi Mutha
- Veena [Vînâ]
- Kalyan Krishna Bhagavatar
- Vocals
- Damal Krishna Pattamal
3-5Sdhincene
- Mridangam
- Karaikudi Mutha
- Veena [Vînâ]
- Devakotai Narayana Iyengar, Kalyan Krishna Bhagavatar
- 3-6Varnam
3-7Varnam
- Veena [Vînâ]
- S. Vidya
3-8Varnam
- Flute
- Tanjore Viswanathan
- Mridangam
- Tanjore Ranganathan
- Vocals
- Bala Sarasvati, Jayammal
- Vocals, Cymbal
- K. Ganeshan
- Written-By
- Ponniah Pillai
3-9Sandehamunu
- Flute
- Tanjore Viswanathan
- Mridangam
- Tanjore Ranganathan
3-10Ninyako
- Mridangam
- Palghat Kunjumani, Shiva Pattamal
- Violin
- Tiruvallur Subrahmanyam
- Vocals
- Damal Krishna Pattamal
3-11Solo De Mridangam
- Mridangam
- Muthu Kumaram
- 3-12Jnana Vinayakané
Where to find one
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Where it came from
This anthology was released by Auvidis in 1997 as a tribute to Alain Daniélou, the renowned French musicologist and Indologist who dedicated much of his life to documenting and preserving the classical music traditions of India. The collection serves as a curated retrospective of the extensive field recordings Daniélou conducted across the Indian subcontinent throughout the mid-20th century, capturing rare vocal and instrumental performances that might otherwise have been lost to history.
The design of the collection reflects the scholarly and respectful tone associated with the UNESCO Collection of Traditional Music, of which Daniélou was a foundational figure. Featuring comprehensive liner notes and analytical essays, the package was intended to serve both as a listening experience and an academic resource. It was received by the international music community as a definitive preservation of the ragas and rhythmic structures Daniélou championed, solidifying his legacy as one of the most important Western scholars to engage deeply with Indian aesthetic philosophy.
Written by Pi, the helpful collecto.rs AI
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