Byzantine Mosaics
Saint Ephraim Male Choir, Tamás Bubnó
- Artist
- Saint Ephraim Male Choir, Tamás Bubnó
- Label
- Budapest Music Center Records
- Catalog number
- BMC CD 172
- Released
- 2010
- Country
- Hungary
- Format
- Album
- Barcode
- 5998309301728
What’s on it
Byzantine Mosaics has 18 tracks, about 59:31 of music. Open a track to see who wrote, played on and produced it.
1Cherubic Hymn
- Composed By
- Mikhail Ivanovich Glinka
- Solo Vocal
- Béla Laborfalvi Soós, Viszló István
2Trishagion
- Composed By
- Pyotr Ilyich Tchaikovsky
- Soloist
- Peter Cser, Viszló István
- 3Interludium I Ad Ligna
4Let All Mortal Flesh Keep Silence
- Arranged By
- György Philipp
- Soloist
- Hajnal András (2)
- 5Interludium II Ad Campanellas
6Christ Is Risen From The Dead
- Arranged By
- Tamás Bubnó
- 7Interlusdium III Ad Campanellas
8The Angel Cried To The Lady
- Composed By
- Modest Mussorgsky
- 9Interludium IV Ad Campanellas
10Polyeleios
- Composed By
- Dobri Hristov
- Soloist
- Peter Cser
11The Lord's Prayer
- Composed By
- János Boksay
- 12Interludium Ad Campanellas
13The Lord's Prayer
- Composed By
- Péter Zombola
14Psalm 127
- Composed By
- Tamás Bubnó
15The Sepherds Gathered In Betlehem
- Composed By
- Dimitrie Suceveanu
- 16Greek-Byzantine Doxasticon
17Lord, Now Lettest Thou Thy Servant Depart
- Composed By
- Pavel Chesnokov
- Soloist
- Béla Laborfalvi Soós
18Neither The Tomb, Nor Death
- Composed By
- Sergei Rachmaninoff
Where to find one
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Where it came from
Released in 2010 by the Budapest Music Center Records, Byzantine Mosaics features the Saint Ephraim Male Choir under the direction of Tamás Bubnó. The album was produced to capture the rich, liturgical heritage of Byzantine chant, reflecting a deliberate effort to preserve and showcase the intricate vocal traditions of the Eastern Church within a modern recording environment.
Tamás Bubnó founded the Saint Ephraim Male Choir in 2002, specifically aiming to revitalize the performance of Eastern European sacred music. The design and sound of this collection draw heavily on the ensemble’s extensive research into ancient manuscripts and traditional choral techniques, earning recognition for its technical precision and the choir's commitment to maintaining the meditative, resonant quality inherent in Byzantine liturgical practice.
Written by Pi, the helpful collecto.rs AI
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