Byzantine Mosaics II
Saint Ephraim Male Choir, Tamás Bubnó
- Artist
- Saint Ephraim Male Choir, Tamás Bubnó
- Label
- Budapest Music Center Records
- Catalog number
- BMC CD 203
- Released
- 2012
- Country
- Hungary
- Format
- Album
- Barcode
- 5998309302039
What’s on it
Byzantine Mosaics II has 23 tracks, about 1:08:14 of music. Open a track to see who wrote, played on and produced it.
1Our Father
- Composed By
- Nikolai Rimsky-Korsakov
- 2Bell Prayer 1.
3Glory Be To God On High
- Composed By
- Dimitrij Bortniansky
4Do Not Reject Me In My Old Age
- Composed By
- Pavel Chesnokov
- 5Wooden Instruments And Bell Prayer 2.
6Christ Is Risen From The Dead
- Arranged By
- György Philipp
7Cherubic Hymn
- Composed By
- Nikola Srbin
- 8Polyeleos From Heirmology Of Sajópáfala
9Beatitudes
- Arranged By
- Bubnó László
- 10Bell Prayer 3.
11Bless The Lord, O My Soul!
- Arranged By
- György Philipp
- Composed By
- Петър Динев
12Behold, Now Bless The Lord!
- Composed By
- Romuald Twardowski
13Isaiah, Rejoice
- Composed By
- Tamás Bubnó
- 14Bell Prayer 4.
15So Went The Three Magi
- Composed By
- Georgy Smirnov
16Christchild Is Born
- Arranged By
- Silló György
17Hark, How The Bells
- Arranged By
- Silló György
- 18Bell Prayer 5.
19Only-begotten Son Of God
- Composed By
- Леся Дичко
20Beatitudes
- Composed By
- Леся Дичко
21Our Father
- Composed By
- Igor Stravinsky
22Rejoice, O Virgin!
- Composed By
- Igor Stravinsky
23Hexapslamos
- Composed By
- Sergei Rachmaninoff
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Where it came from
Byzantine Mosaics II was released in 2012 by Budapest Music Center Records, continuing the label's focus on documenting sacred music traditions. Performed by the Saint Ephraim Male Choir under the direction of Tamás Bubnó, the recording is part of an ongoing project to preserve and interpret Byzantine liturgical chant. The choir, founded in 2002, has gained recognition for its commitment to both Hungarian contemporary music and the rigorous traditions of Eastern Christian chant, aiming to bring an authentic, meditative quality to these ancient musical structures.
The album reflects a deliberate effort to blend historical research with vocal performance. Tamás Bubnó, a noted scholar and conductor, shaped the ensemble's approach to ensure the chants maintained their traditional rhythmic and melodic integrity while benefiting from modern high-fidelity recording techniques. The release was received within the specialized community of sacred music enthusiasts as a significant contribution to the revival of Byzantine liturgical practices in Central Europe, praised for its clarity, reverence, and the acoustic precision favored by the Budapest Music Center label.
Written by Pi, the helpful collecto.rs AI
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