Corey Hart
Corey Hart
- Artist
- Corey Hart
- Label
- Columbia
- Catalog number
- ck 80240
- Released
- 1996
- Country
- Canada
- Format
- Album
- Barcode
- 074648024025
What’s on it
Corey Hart has 11 tracks, about 47:14 of music. Open a track to see who wrote, played on and produced it.
1Black Cloud Rain
- Acoustic Guitar
- Dean Parks
- Backing Vocals
- Julie Masse
- Guitar [Nylon String & Guitars]
- Tim Pierce
- Slide Guitar
- Michael Thompson
2Someone
- Acoustic Guitar
- Michael Thompson
- Guitar
- Pat Buchanan, Tim Pierce
- Recorded By
- Chuck Ainlay
- Recorded By [Assistants]
- Graham Lewis (2)
3Love Hurts
- Bass
- John Pierce
- Guitar
- Michael Thompson, Tim Pierce
- Written-By
- Boudleaux Bryant
4Third Of June
- Acoustic Guitar, Mandolin
- Tim Pierce
- Electric Guitar
- Michael Thompson
5Simplicity
- Guitar
- Michael Landau
- Guitar, Sitar
- Michael Thompson
6Tell Me
- Guitar
- Pat Buchanan, Tim Pierce
- Recorded By
- Chuck Ainlay
- Recorded By [Assistants]
- Graham Lewis (2)
- Trumpet
- Mike Haynes
7Angel Of My Soul
- Bass
- Nathan East
- Guitar
- Michael Thompson
- Piano
- Greg Phillinganes
8Sunflowers
- Bass
- Nathan East
- Guitar, Dobro
- Michael Thompson
- Piano
- Greg Phillinganes
9Kiss The Sky
- Guitar
- Michael Thompson, Tim Pierce
10On Your Own
- Acoustic Guitar
- Dean Parks
- Electric Guitar
- Michael Landau
11India
- Acoustic Guitar
- Tim Pierce
- Backing Vocals
- Julie Masse
- Electric Guitar
- Michael Thompson
Where to find one
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Where it came from
Released in 1996, this self-titled album arrived during a transitional period for Corey Hart, who had spent the previous decade establishing himself as a prominent Canadian pop-rock fixture. Following a hiatus from the intensive touring and promotional cycles that defined his 1980s success, Hart returned to the studio to record this collection, aiming to pivot toward a more mature, introspective sound that moved away from the synth-heavy production of his earlier chart-toppers.
The album was released on the Columbia label and represents a creative effort to redefine his artistry for a 1990s audience. While the record did not achieve the same massive commercial ubiquity as his 1980s output, it was received as a sincere exploration of his evolving songwriting style. The production choices reflect the mid-nineties shift toward organic instrumentation and folk-pop sensibilities, marking a clear departure from the high-energy aesthetic of his 'Sunglasses at Night' era.
Written by Pi, the helpful collecto.rs AI
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