Jamie Lidell
Jamie Lidell
- Artist
- Jamie Lidell
- Label
- Warp Records
- Catalog number
- WARPCD232
- Released
- 2013
- Country
- UK
- Format
- Album
- Barcode
- 801061023225
What’s on it
Jamie Lidell has 11 tracks, about 48:19 of music. Open a track to see who wrote, played on and produced it.
1I'm Selfish
- Drum Programming [Additional]
- Justin Stanley
- Drums [Live Drum]
- Paul Taylor (34)
- Synth [Synths]
- James Rowland
- Vocals [All], Drum Programming, Synth [Synths]
- Jamie Lidell
2Big Love
- Drums [Live Drum], Percussion
- Paul Taylor (34)
- Guitar, Bass, Drum Programming [Additional]
- Justin Stanley
- Synth [Synths], Guitar [Fuzz Guitar]
- James Rowland
- Trumpet [Trumpet Stacks]
- Jamison Sevitts
- Vocals [All], Drum Programming, Cowbell [Big]
- Jamie Lidell
3What A Shame
- Drums [Live Drum]
- Paul Taylor (34)
- Synth [Synths]
- James Rowland
- Vocals [All], Drum Programming [MPC Programming], Synth [Synths]
- Jamie Lidell
4Do Yourself A Faver
- Drums [Live Drum], Percussion, Synthesizer [Additional Moog], Drum Programming [
- Justin Stanley
- Synth [Other Spooky Synth], Bass [Ride Out Bass]
- Brian LeBarton
- Synth [Synths], Acoustic Guitar [Nashville Guitar], Guitar Synthesizer [Synth Gu
- James Rowland
- Vocals [All], Drum Programming, Synth [Spooky Synth], Guitar [Chorus Guitar]
- Jamie Lidell
5You Naked
- Drums [Live Drum], Drum Programming [Additional]
- Justin Stanley
- Synth [Synth Magic], Bass [Bass Slap], Guitar [Chorus Guitar Tickle]
- James Rowland
- Vocals [All], Drum Programming, Synth [OBX], Loops [Vocal Loops]
- Jamie Lidell
6Why_Ya_Why
- Horn [Chaos Horn]
- James Rowland
- Programmed By [Additional Programming], Horn [Chaos Horn]
- Justin Stanley
- Tuba, Trumpet [Cupped Trumpet Joy]
- Jamison Sevitts
- Vocals [All], Drum Programming, Piano, Synth [Synths], Horn [Chaos Horn]
- Jamie Lidell
7Blaming Something
- Drums [Live Drum]
- Paul Taylor (34)
- Guitar, Synth [Synth String], Drum Programming [Additional]
- Justin Stanley
- Synth, Bass, Keyboards [Chroma Keys]
- James Rowland
- Vocals [All], Vocals [Vocal Bass], Loops [Vocal Loops], Drum Programming, Percus
- Jamie Lidell
8You Know My Name
- Drums [Live Drum]
- Paul Taylor (34)
- Guitar [Chicken Grease Guitar], Bass [Live], Drum Programming [Additional]
- Justin Stanley
- Guitar [End Guitar]
- Jake Aron
- Synth [Additional Synths], Guitar [End Guitar Harm]
- James Rowland
- Vocals [All], Programmed By, Synth [Prophet Synths]
- Jamie Lidell
9So Cold
- Drum Programming [Additional]
- Justin Stanley
- Drums [All Live Kit And Pocket]
- Matt Sherrod (2)
- Synth [Additional], Synth [Synth Bass], Synth [OBX Synth Solo]
- James Rowland
- Synth [Prophet Dream Pad]
- Andre Vida
- Vocals [All], Drum Programming, Synth [Synths], Bass [Slap Bass], Guitar
- Jamie Lidell
10Don't You Love Me
- Drums [Live Drum], Percussion
- Paul Taylor (34)
- Electric Bass, Drum Programming [Additional]
- Justin Stanley
- Keyboards [Magic Keys], Electric Bass
- Brian Lebarton
- Piano
- Jeff Lorber
- Synth [Synth Counterpoint], Electric Guitar [Telecaster Broadstrokes]
- James Rowland
- Vocals [All]
- Jamie Lidell
11In Your Mind
- Drums [Live Drum]
- Matt Chamberlain
- Guitar, Bass [Slapping Bass], Drum Programming [Additional]
- Justin Stanley
- Snare [Finger Snare], Percussion
- Paul Taylor (34)
- Synth [Synths]
- James Rowland
- Vocals [All], Vocals [Vocal Noise], Drum Programming, Synth [OBX Intro Synth], S
- Jamie Lidell
Where to find one
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Where it came from
Released in 2013 on the Warp Records label, the self-titled album Jamie Lidell represents a deliberate shift in the artist's sound. Moving away from the glitch-heavy, experimental electronic music that defined his early career, Lidell embraced a polished, retro-inflected soul and funk aesthetic. This transition was influenced by his desire to lean into his vocal prowess and songwriting, drawing heavy inspiration from the classic R&B arrangements of the 1970s and 1980s.
The album was crafted with a focus on high-fidelity production, balancing traditional soul instrumentation with contemporary studio techniques. It was received by critics as a successful evolution of his style, showcasing his range as a performer and producer. While some long-term fans were divided by the move toward more conventional pop and funk structures, the record is widely regarded as a benchmark for Lidell’s ability to blend electronic sensibility with classic soul sensibilities.
Written by Pi, the helpful collecto.rs AI
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