Jamie Lidell
Jamie Lidell
- Artist
- Jamie Lidell
- Label
- Beat Records
- Catalog number
- BRC-361
- Released
- 2013
- Country
- Japan
- Format
- Album
What’s on it
Jamie Lidell has 13 tracks. Open a track to see who wrote, played on and produced it.
1I'm Selfish
- Drum
- Paul Taylor (34)
- Drum Programming
- Justin Stanley
- Synth
- James Rowland
2Big Love
- Drum, Percussion
- Paul Taylor (34)
- Guitar, Bass, Drum Programming
- Justin Stanley
- Synth, Guitar
- James Rowland
- Trumpet
- Jamison Sevitts
3What A Shame
- Drum
- Paul Taylor (34)
- Synth
- James Rowland
4Do Yourself A Faver
- Drum, Percussion, Synth, Drum Programming
- Justin Stanley
- Synth, Bass
- Brian LeBarton
- Synth, Guitar, Guitar Synthesizer, Talkbox
- James Rowland
5You Naked
- Drum, Drum Programming
- Justin Stanley
- Synth, Bass, Guitar
- James Rowland
6Why_Ya_Why
- Horn
- James Rowland
- Horn, Programmed By
- Justin Stanley
- Tuba, Trumpet
- Jamison Sevitts
7Blaming Something
- Drum
- Paul Taylor (34)
- Guitar, Synth, Drum Programming
- Justin Stanley
- Synth, Bass, Keyboards
- James Rowland
8You Know My Name
- Drum
- Paul Taylor (34)
- Guitar
- Jake Aron
- Guitar, Bass, Drum Programming
- Justin Stanley
- Synth, Guitar
- James Rowland
9So Cold
- Drum Programming
- Justin Stanley
- Drums
- Matt Sherrod (2)
- Synth
- Andre Vida
- Synth, Bass
- James Rowland
10Don't You Love Me
- Bass, Drum Programming
- Justin Stanley
- Drum, Percussion
- Paul Taylor (34)
- Piano
- Jeff Lorber
- Synth, Guitar
- James Rowland
11In Your Mind
- Drum
- Matt Chamberlain
- Guitar, Bass, Drum Programming
- Justin Stanley
- Snare, Percussion
- Paul Taylor (34)
- Synth
- James Rowland
- Bonus Track
- 12I'll Come Running
Where to find one
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Where it came from
Released in 2013 on the Beat Records label, this self-titled album marked a distinct shift in Jamie Lidell's discography. Moving away from the dense, layered electronic soul of his previous work, Lidell leaned into a more polished, funk-infused pop aesthetic. The album was recorded during a period of transition for the British musician, reflecting a desire to merge his improvisational roots with a cleaner, studio-focused production style that mirrored the classic R&B influences of his youth.
The design and artistic direction for this project prioritized a sleek, minimalist presentation that contrasted with the intricate arrangements of the music itself. Critics generally received the work as a sophisticated exploration of high-fidelity funk, noting the intentional move toward accessibility. While it diverged from the experimental edges of his earlier catalog, the album remains a pivotal example of Lidell’s ability to refine his sound while maintaining his signature vocal intensity.
Written by Pi, the helpful collecto.rs AI
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