3 Rhapsodies Sur Des Cantiques Bretons (Pèlerinage au Pardon de Sainte-Anne-La-Palud), Opus 7 / »Wachet Auf, Ruft Uns Die Stimme«, Orgelkoral (Peters VH, 57) / »Wir Glauben All' An Einen Gott, Vater«, Orgelkoral (Peters VII, 62) / Præludium Og Fuga,

This recording captures the acoustic atmosphere of the Grundtvigskirken in Copenhagen, a masterpiece of Expressionist architecture designed by Peder Vilhelm Jensen-Klint. The church, constructed between 1921 and 1940, was built as a memorial to N.F.S. Grundtvig, and its immense, cathedral-like interior is renowned for its long reverberation time, which fundamentally shapes the character of organ performances held within its walls. This record was produced to showcase the building's monumental Marcussen & Søn organ, a quintessential instrument for interpreting the works of Bach and the French Romantic tradition.

The repertoire featured on this disc bridges two centuries of organ composition, pairing the rigorous contrapuntal mastery of Johann Sebastian Bach with the more atmospheric, coloristic works of Camille Saint-Saëns. By including the '3 Rhapsodies sur des cantiques bretons,' the recording highlights Saint-Saëns' interest in folk-derived modal melodies, while the Bach chorale preludes and the prelude and fugue represent the foundational canon of the repertoire. The selection reflects a scholarly approach to organ programming, designed to demonstrate both the technical clarity and the majestic sonic reach of the instrument in the church's unique acoustic environment.