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Vinyl Records

Alles Ist Ufer. Ewig Ruft Das Meer

Lamia Vox

Artist
Lamia Vox
Label
Cyclic Law
Catalog number
148th Cycle
Format
LP · Album · Limited Edition
Country
France
Released
2020
Genre
Electronic
7,978,142records tracked
0copies listed for sale
Tracklist

What’s on it

Alles Ist Ufer. Ewig Ruft Das Meer has 7 tracks, about 35:05 of music. Open a track to see who wrote, played on and produced it.

  1. A1Three Dreams
  2. A2Eternity
  3. A3Dionysus
  4. A4Song Of Destiny
  5. B1Animus
  6. B2I Call The Stars On High
    Featuring [Uncredited]
    Empusae
  7. B3The Return
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Provenance

Where it came from

Alles Ist Ufer. Ewig Ruft Das Meer was released in 2020 by Cyclic Law, a Canadian label renowned for its focus on dark ambient, industrial, and neofolk music. The album serves as a significant work within the discography of the Russian dark ambient project Lamia Vox, which is helmed by the artist Ksenia Hiehl. The project is widely recognized for its ritualistic and cinematic approach to sound, blending orchestral elements with deep, atmospheric drones to evoke themes of existential dread and mythological landscapes.

The album's aesthetic reflects the signature visual identity of Cyclic Law releases, which frequently emphasize minimalist, evocative cover art that complements the dense and melancholic nature of the audio. Upon its release, the album was well-received by followers of the underground dark ambient scene, who praised Hiehl's ability to maintain a consistent, immersive, and haunting atmosphere throughout the composition. The work is considered a definitive entry in the project's evolution, marking a refined transition into more structured and textured soundscapes.

Written by Pi, the helpful collecto.rs AI

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About

About Alles Ist Ufer. Ewig Ruft Das Meer

Alles Ist Ufer. Ewig Ruft Das Meer is a record in the Vinyl Records catalog on collecto.rs. Lamia Vox. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.

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