Cordes-ci, Cordes-ca / La Discordatura

Released in 1972 on the La Voix De Son Maître label, Cordes-ci, Cordes-ca / La Discordatura represents a significant moment in the evolution of French electroacoustic music. Produced by composers Françoise Barrière and Christian Clozier, both instrumental figures in the development of the Groupe de Musique Expérimentale de Bourges, the record serves as a showcase for their avant-garde exploration of sound manipulation and tape composition. This work emerged during a period of intense experimentation in European studios, where composers sought to move beyond traditional instrumentation by treating the properties of raw sound as a primary structural element.

The record is emblematic of the meticulous design philosophy favored by GMEB, where the physical layout and sonic layering were treated as a singular artistic statement. Barrière and Clozier intended to challenge the listener's perception of timbre and spatial depth, utilizing the recording medium to construct complex environments that could not be recreated in a live acoustic setting. Upon its release, the project was recognized within specialized contemporary music circles for its rigorous technical precision and its role in bridging the gap between academic research and the broader public dissemination of experimental phonographic arts.