Deux Motets Pour Soprano Et Orchestre A Cordes "O Qui Coeli" "In Furore" / Deux Motets Pour Mezzo-Soprano Et Orchestre A Cordes "Longe Mala Umbrae Terrores" "Invicti Bellate"

Released in 1971 on the La Voix De Son Maître label, this recording features a collection of Antonio Vivaldi's sacred motets, specifically those composed for solo voice and string orchestra. The record serves as a showcase for the interpretation of Baroque vocal music in the late 20th century, utilizing the period-informed sensibilities of the Orchestre de Chambre de Toulouse under the direction of Louis Auriacombe. These motets, including 'O Qui Coeli' and 'In Furore', represent a significant portion of Vivaldi's non-liturgical vocal output, designed to demonstrate the virtuosic range of the soprano and mezzo-soprano voices.

The performance features French soprano Mady Mesplé and mezzo-soprano Jane Berbié, both of whom were prominent figures in the European opera circuit during the 1960s and 70s. Mesplé, in particular, was celebrated for her technical precision and agility in the high register, qualities that were considered essential for navigating Vivaldi's complex coloratura lines. The release is part of the extensive catalogue of the La Voix De Son Maître label, which played a crucial role in bringing classical recordings to a wider audience in France during the post-war era, prioritizing a clean, balanced orchestral sound that highlighted the distinct textures of the string accompaniment.