Douzième Journée: Le Verbe, La Parure, L'Amour. = Twelfth Day: Speech, Adornment, Love.

Released in 1982 by the boutique label Original Music, this record was curated by Benjamin Lew and Steven Brown as part of an exploration into minimalist, experimental electronic soundscapes. The project was born out of the burgeoning post-punk and industrial ambient scenes of the early 1980s, serving as a platform for artists to blend unconventional textures with neoclassical influences. It represents a specific moment in independent music production where labels sought to distribute avant-garde works that lacked a traditional commercial home.

The album's conceptual framework, focusing on the themes of speech, adornment, and love, reflects a desire to bridge the gap between intimate composition and formalist electronic experimentation. Designed to evoke a deliberate, measured atmosphere, the work was received within avant-garde circles as a sophisticated departure from standard song structures. By prioritizing mood and linguistic rhythm over melodic convention, Lew and Brown aimed to create a sonic environment that felt both classical in intent and thoroughly modern in execution.