Konzert Für Drei Soloviolinen, Streicher Und Basso Continuo D-Dur BWV 1064 / Concertino Nr. II, G-Dur, Für Vier Violinen, Viola Alta, Violoncello Und Basso Continuo / Konzert In D-Dur Für Gitarre Solo Und Streicher

This recording was released in 1980 under the ASM Edition label, capturing a program of Baroque ensemble music performed by the Bach-Collegium München under the direction of Florian Sonnleitner. The release gathers diverse works from the period, most notably J.S. Bach's Concerto for Three Violins in D Major, BWV 1064, which is a reconstruction of his own Concerto for Three Harpsichords. This selection reflects a broader mid-20th-century trend of German ensembles seeking to interpret the Baroque canon with a blend of academic rigor and expressive, modern instrumental technique.

The album serves as a document of the Bach-Collegium München's interpretive style during the late 1970s and early 1980s. By pairing Bach with the Concertino No. 2, often attributed to Carlo Ricciotti—a work famously misattributed to Pergolesi for many years—and a Vivaldi guitar concerto, the production highlights the stylistic interconnectedness of the Baroque era. The design of the release follows the standard aesthetic conventions for classical recordings of the era, prioritizing clarity of the ensemble’s identity and the specific cataloging of the musical works over decorative illustration.