Monodia Cortesana Medieval (Siglos Xll-Xlll) - Musica Arabigo-Andaluza (SigloXlll) = Monodie de Cou Médiévale (XI-XIIIe Siècles) - Musique Arabo-Andalouse (XIIIe Siècle)

Released in 1972 on the Erato label, this recording represents a pivotal moment in the historical performance movement of the 20th century. Under the direction of Gregorio Paniagua, the ensemble Atrium Musicae de Madrid collaborated with the Conservatory of Tetuan to bridge the gap between medieval European monody and the classical traditions of Arab-Andalusian music. The project was conceived as a rigorous academic and artistic exploration of the cultural exchange that defined the Iberian Peninsula during the 12th and 13th centuries.

The album is noted for its unconventional instrumentation and authentic interpretative style, which sought to strip away romanticized notions of medieval music in favor of a more visceral, modal approach. The design and liner notes reflect this scholarly commitment, presenting the pieces not as mere aesthetic artifacts, but as living threads connecting the troubadour tradition with North African maqam systems. At the time of its release, the record was lauded by musicologists and critics for its technical precision and its role in re-contextualizing the origins of Western musical structures.