MOTETS ET MADRIGAUX des XV, XVIet XVII siecles

Released under the L'Univers Musical label, this recording showcases a curated selection of vocal polyphony spanning three centuries. The album serves as an exploration of the transition from the late Renaissance aesthetic to the early Baroque style, anchored by the technical complexity of Josquin Des Prés and the dramatic, text-driven emotionalism of Claudio Monteverdi. It was produced for an audience of early music enthusiasts, aiming to provide a high-fidelity representation of the intricate vocal textures characteristic of the Collegium Musicum Aldovadensis.

The design of the record reflects the academic and archival approach common to mid-to-late 20th-century classical imprints, focusing on pedagogical clarity and historical context rather than commercial artifice. By coupling the works of Cipriano de Rore—a central figure in the development of the madrigal—with the masterworks of his contemporaries, the release was intended to highlight the evolution of the Italian secular song. It remains a representative artifact of the post-war European fascination with period-accurate performance practice.