Music Of The Court Homes & Cities Of England, Volume 5: Composers Of Hatfield House & Hengrave Hall
Various
- Artist
- Various
- Label
- The Record Society
- Catalog number
- S/6328
- Format
- LP · Album · Club Edition · Stereo
- Country
- Australia
- Released
- 1970
- Genre
- Classical
What’s on it
Music Of The Court Homes & Cities Of England, Volume 5: Composers Of Hatfield House & Hengrave Hall has 17 tracks. Open a track to see who wrote, played on and produced it.
A1Pastime With Good Company
- Bass Vocals
- Christopher Keyte
- Composed By
- Henry VIII
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts
- Score Editor [Ed.]
- John Stevens (16)
- Tenor Vocals
- Gerald English
A2Where Griping Grief
- Composed By
- Richard Edwards (5)
- Lute
- Ian Harwood
- Score Editor [Ed.]
- John Newton (2)
- Tenor Vocals
- Nigel Rogers (2)
A3Fortune My Foe
- Composed By
- Anonymous
- Conductor
- Ian Harwood
- Ensemble
- The Ely Consort
- Score Editor [Ed.]
- Ian Harwood
A4Psalm Tune No. 3
- Bass Vocals
- Christopher Keyte
- Composed By
- Thomas Tallis
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts
- Score Editor [Ed.]
- Diana Poulton
- Tenor Vocals
- Kenneth Bowen, Nigel Rogers (2), Robert Tear
A5Lady If You So Spite Me
- Bass Vocals
- Christopher Keyte
- Composed By
- John Dowland
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts
- Score Editor [Ed.]
- Diana Poulton
- Soprano Vocals
- April Cantelo, Eileen Poulter
- Tenor Vocals
- Gerald English
A6aAllmaine
- Composed By
- John Johnson (8)
- Lute
- Eugen M. Dombois
- Score Editor [Ed.]
- Diana Poulton
A6bPavin
- Composed By
- Alfonso Ferrabosco
- Lute
- Eugen M. Dombois
- Score Editor [Ed.]
- Diana Poulton
A7aNow Is The Month Of Maying
- Bass Vocals
- Christopher Keyte
- Composed By
- Thomas Morley
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts
- Score Editor [Ed.]
- Edmund Fellowes
- Soprano Vocals
- April Cantelo
- Tenor Vocals
- Gerald English, Robert Tear
A7bSing We And Chant It
- Bass Vocals
- Christopher Keyte
- Composed By
- Thomas Morley
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts
- Score Editor [Ed.]
- Edmund Fellowes
- Soprano Vocals
- April Cantelo, Eileen Poulter
- Tenor Vocals
- Gerald English
A8The Queenes Alman
- Composed By
- William Byrd
- Virginal
- John Beckett
B1Drawn On Sweet Night
- Bass Vocals
- Christopher Keyte
- Composed By
- John Wilbye
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts, Sybil Michelow
- Score Editor [Ed.]
- Edmund Fellowes
- Soprano Vocals
- April Cantelo, Eileen Poulter
B2Sweet Honey-Sucking Bees
- Composed By
- John Wilbye
- Score Editor [Ed.]
- Edmund Fellowes
B3Oft Have I Vowed
- Composed By
- John Wilbye
- Score Editor [Ed.]
- Edmund Fellowes
B4Unkind, Stay Thy Flying
- Composed By
- John Wilbye
- Score Editor [Ed.]
- Edmund Fellowes
B5Fantasia
- Composed By
- John Wilbye
- Conductor
- Francis Baines
- Ensemble
- The Jaye Consort
- Score Editor [Ed.]
- Eric Coates, Thurston Dart
B6Ne Reminiscaris
- Composed By
- John Wilbye
- Conductor
- Christopher Bishop
- Leader
- Francis Baines
- Score Editor [Ed.]
- arkwright
B7O God The Rock
- Bass Vocals
- Christopher Keyte
- Composed By
- John Wilbye
- Conductor
- Raymond Leppard
- Contralto Vocals
- Helen Watts, Sybil Michelow
- Score Editor [Ed.]
- Edmund Fellowes
- Soprano Vocals
- April Cantelo
- Tenor Vocals
- Robert Tear
Where to find one
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Where it came from
Released in 1970 by The Record Society, this installment of the Music of the Court, Homes & Cities of England series highlights the intersection of Tudor-era domestic life and musical scholarship. The series was designed to showcase site-specific compositions, pairing the history of prominent English estates with the works of the resident or visiting composers who once performed there. It serves as an archival snapshot of the early music revival in the mid-twentieth century, aiming to make historically significant but under-recorded pieces accessible to a broader audience of classical enthusiasts.
The production reflects the aesthetic of The Record Society, which focused on meticulously curated programs and informative liner notes that contextualized the music within its original architectural settings. By centering the curation on Hatfield House and Hengrave Hall, the album emphasizes the specific patronage of the Cecil and Kytson families. It was received as a scholarly endeavor, valued for its commitment to thematic integrity and its focus on period-appropriate instrumentation, which aligned with the growing academic interest in English secular and sacred music from the sixteenth and seventeenth centuries.
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About Music Of The Court Homes & Cities Of England, Volume 5: Composers Of Hatfield House & Hengrave Hall
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