BLOOD-C: The Last Dark
2012 • Production I.G
- Format
- MOVIE
- Aired
- 2012
- Episodes
- 1
- Status
- Finished
- Studio
- Production I.G · Aniplex · Dentsu · Funimation
- Genres
- Action · Horror · Supernatural
Despite the use of the Youth Ordinance Bill to enforce curfews for minors and regulate the use of the internet, young people continue to fight for their own freedom through underground methods. One such group calls themselves SIRRUT. They have decided to take on Fumito Nanahara, a man who has great influence on the political world, and basically controls Tokyo with an iron fist. While using the internet as a weapon to discover more information about Fumito, they learn about "Tower", the secret organization behind Fumito which engages in human experimentation.
When members of Surat attempt to set up an ambush in the subway to expose the truth behind "Tower", mysterious creatures suddenly appear and attack the passengers. During this crisis, Saya appears - a young girl who uses a Japanese blade to slay the Old Ones. The same Saya who lost everything dear to her in that horrifying incident in Ukishima Province. What sort of "experiment" is Fumito and "Tower" trying to conduct using the Old Ones? And can Saya finally deliver vengeance to Fumito?
Now, the final battle begins...
Synopsis from AniList
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Where it came from
BLOOD-C: The Last Dark was released in 2012 as the cinematic conclusion to the BLOOD-C television series, a collaboration between the animation studio Production I.G and the manga artist collective CLAMP. Directed by Naoyoshi Shiotani, the film moves the setting from the small, isolated village of the series to a near-future, authoritarian Tokyo. The narrative follows Saya Otonashi as she continues her hunt for Fumito Nanahara, shifting from the slow-burn psychological horror of the television show to a more kinetic, action-oriented aesthetic that leverages the studio's technical strengths in high-stakes animation.
The production design reflects CLAMP's distinct visual style, characterized by elongated proportions and ornate character details, which Production I.G adapted into a darker, industrial urban landscape. While the original television series drew criticism for its abrupt tonal shifts and extreme depictions of gore, the film was generally received as a more cohesive refinement of its themes. It serves as the final installment in the BLOOD franchise's specific iteration of the Saya character, marking a definitive end to the story arc initiated by the 2011 series.
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