Godzilla: Planet of the Monsters
2017 • POLYGON PICTURES
- Format
- MOVIE
- Aired
- 2017
- Episodes
- 1
- Status
- Finished
- Studio
- POLYGON PICTURES
- Genres
- Action · Science fiction
The appearance of the giant living creatures “Kaiju's” and the ultimate existence that destroys all monsters, Godzilla, has incited a battle that lasted for half a century. Humanity has experienced continuous defeat, and finally plans to escape from the Earth. In 2048, only those who were selected by the A.I. managed under the central government boarded the inter-sidereal emigrant spaceship “Aratrum” to head for “Tau Cetus e”, the planet beyond the distance of 11.9 light-year. However, the environmental condition differences between that of the Earth and Tau e were considered to be inhabitable by human beings.
The young man on the emigrant ship: Haruo, who saw his parents killed by Godzilla in front of his eyes, had only one thing in his mind for 20 years: to return to the Earth and defeat Godzilla. Shut out from the possibility of emigration, as the living environment in the ship deteriorates, the group of “Earth Returnists” led by Haruo are determined to return through a dangerous long-distance hyperspace navigation. However, 20,000 years have passed on Earth since and it has become an unknown world with the ecosystem reigned by Godzilla.
Synopsis from AniList
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Where it came from
Godzilla: Planet of the Monsters was released in 2017 as the first entry in a cinematic trilogy produced by Polygon Pictures for Toho. Directed by Kōbun Shizuno and Hiroyuki Seshita, the film represented a significant departure for the franchise by utilizing full 3D cel-shaded animation rather than traditional suitmation or live-action effects. The project was conceived to explore a radically different post-apocalyptic future where humanity attempts to reclaim Earth from an ecosystem dominated by the titular kaiju after fleeing into deep space.
The film's aesthetic design was heavily influenced by the collaboration between Polygon Pictures and screenwriter Gen Urobuchi, who sought to blend hard science fiction elements with the long-standing tropes of the Godzilla series. Upon its debut, the film received a polarized reception; while critics praised the ambitious world-building and the technical execution of the animation style, some longtime fans of the genre found the heavy focus on tactical exposition and the dramatic reimagining of Godzilla’s origin to be a departure from the traditional monster-focused spectacle.
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