Ore wa Kanojo wo Shinjiteru!
2011 • L.
- Format
- OVA
- Aired
- 2011
- Episodes
- 1
- Status
- Finished
- Studio
- L.
- Genres
- Hentai
Based on the erotic game by Lune Team Bitters.
Kensuke and Ayumu have known each other since childhood. It wasn’t until recently that they realized that they had feelings for each other that were much more than friends. While working in a PC Software company as a salesman, Kensuke is told to work at another branch due to a shortage of manpower. The big catch here is that he won’t be able to live at his apartment anymore so that he can easily commute to his new job.
That being said, he won’t be able to see Ayumu for a very long time, but she’s been sweet enough to watch over his apartment while he’s gone. Well, you know what they say about long distance relationships; after a good amount of time has passed, Kensuke is in a mixture of loneliness and paranoia. He’s missing Ayumu, but also doubting why a woman like her would stick around for a guy like him. To add more confusion to the fire he’s come across four women around his new work that give him more temptation that he can bare.
Will our hero hold out for love, or will he give into the pressures?
Synopsis from AniList
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Where it came from
Ore wa Kanojo wo Shinjiteru! is an adult-oriented original video animation (OVA) released in 2011 by the studio L. Emerging during a period of prolific output for independent adult animation studios in Japan, the title was designed to cater specifically to niche demographics within the visual novel and hentai enthusiast market. The production followed established industry patterns of the era, focusing on concise, character-driven narratives within a single-release format.
The aesthetic and thematic direction of the OVA reflect the conventions of early 2010s adult animation, emphasizing specific character archetypes and stylized visual storytelling common to studio L's portfolio. Like many similar titles of its time, it was produced with modest resources for a dedicated audience, functioning as a standalone entry rather than a large-scale commercial project. Its reception was largely localized to enthusiasts of the genre, where it remains a representative example of its studio's stylistic output during that decade.
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