Ranma 1/2 SUPER
1995 • Viz Media
- Format
- OVA
- Aired
- 1995
- Episodes
- 3
- Status
- Finished
- Studio
- Viz Media · Shogakukan · Studio DEEN · Pony Canyon
- Genres
- Adventure · Comedy · Romance
Super OVA 1: Based on a story from vol. 27 of the manga, Shampoo and Ukyo arrange to travel to a cave that is legendary for breaking up couples. They hope they will cause Ranma and Akane to break-up and Shampoo hopes to ditch Mousse the same way.
Super OVA 2: "Jaaku no Oni" (lit. "The Wicked Demon") was released in 1995. Based on a story from vol. 29 of the manga, an Oni (that wears a tiger-striped diaper just like the Oni of Urusei Yatsura) escapes it`s sealed box and begins to possess people in the neighborhood.
Super OVA 3: This is a story from vol. 31. Ranma disturbs a doll that takes revenge on anyone that shows it disrespect. In order to teach Ranma a lesson, the doll possesses Akane and tries on many occasions to attack him.
Synopsis from AniList
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Where it came from
Ranma 1/2 Super was released by Viz Media in 1995 as part of the expansion of Rumiko Takahashi’s iconic martial arts comedy franchise into the North American market. These OVAs, originally produced in Japan by Studio Deen, were part of a wider wave of direct-to-video content that sought to capitalize on the series' immense popularity following its television run. The project aimed to deliver high-octane, standalone stories that balanced the series’ signature gender-bending slapstick with refined animation standards common to the 1990s OVA format.
The design and narrative tone of the Super series maintained the aesthetic established in the original manga, focusing on the chaotic interpersonal dynamics between Ranma Saotome and the Tendo family. While the OVAs were met with enthusiasm from the growing Western anime fandom of the mid-nineties, they are now viewed as a nostalgic artifact of Viz Media’s early efforts to localize long-running anime properties for domestic consumption. The series remains a testament to the enduring influence of Takahashi’s character-driven comedy and the era's transition toward accessible home video distribution.
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