We Without Wings – Under the Innocent Sky
2011 • Nomad
- Format
- TV
- Aired
- 2011
- Episodes
- 12
- Status
- Finished
- Studio
- Nomad · Funimation · Lantis · Delfi Sound
- Genres
- Comedy · Drama · Ecchi · Psychological
Haneda Takashi has a secret he cannot speak of. To leave his dull school-life, he was supposed to have escaped to another world. However, he is reeled in by certain ties on his heart. One of these is Kobato, his awkward younger sister. The other is Watarai Asuka, his negligent girlfriend.
Chitose Shuusuke is a poor freeloader. He passes his days working at various part-time jobs. One day, he has a disastrous first encounter with Tamaizumi Hiyoko. The next time they meet, Shuusuke discovers that they are fellow employees at his part-time job.
Narita Hayato sees himself as a "hard-boiled" person. Back-breaking jobs are nothing to him. Hayato shuns normal human contact, but, during the nights, he would get together with delinquents and other denizens of the night. One such night, he meets the cheerful and oblivious Otori Naru.
The relationships with these girls will greatly affect these 3 young men. But what, exactly, is the relationship these young men have with each other?
Synopsis from AniList
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Where it came from
We Without Wings – Under the Innocent Sky, released in 2011 by studio Nomad, was adapted from the adult visual novel developed by Navel. The series emerged during a period of experimentation for anime studios attempting to translate complex, multi-narrative visual novel structures into a coherent television format. The production sought to balance the source material's surrealist, episodic comedy with a more dramatic overarching plot, resulting in a unique, layered structure that divides the story into segments centered on different perspectives.
The character designs were handled by the production team with the goal of maintaining the recognizable aesthetic of the original game while navigating the technical constraints of a television budget. Upon its release, the series was noted for its unconventional narrative delivery and its stark tonal shifts between the mundane lives of its protagonists and the fantasy elements of the alternate world of Grast. While the series received a polarized reception due to its complex, non-linear approach, it remains a distinct example of the studio's mid-era output.
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