Where's the Dragon?
- Format
- MOVIE
- Episodes
- 1
- Status
- Finished
- Genres
- Adventure · Comedy
The Zodiac Dragon is missing, and the World plunges into chaos. Jen, a righteous ten year-old girl, must join forces with the legendary Zodiac Animals to find Dragon, restore order to the world, and save humanity.
When the Jade Emperor hears of Dragon’s five hundred year disappearance, impetuously he declares he is hosting a race, opened to creatures of all kinds, to replace the existing Zodiac. Harmony on Earth is severely threatened.
But wait, behind the entire calamity is a demonic Roach King conspiring a coup d’état of the entire Zodiac. Cockroaches! Millions and millions of cockroaches, ready to rule the World!
On the day Jen inadvertently finds a Dragon scale, she encounters three talking animals -- a Pig, a Sheep, and a Horse - three of the twelve Zodiacs. Apparently, the scale is the only clue to Dragon’s whereabouts. And to battle Roach King, Jen and the three have to find and unite the rest of the original Zodiac -- Rat, Cow, Tiger, Rabbit, Snake, Monkey, Rooster, and Dog.
Together, they embark on a journey that though dangerous, turns out to be rewardingly heartwarming.
Synopsis from AniList
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Where it came from
Where's the Dragon? (2015), known in Mandarin as Long zai na li, is a computer-animated fantasy film produced as a co-production between China and the United States. Conceived during a period of rapid expansion in the Chinese animation industry, the film was designed to blend traditional Chinese cultural elements—specifically the concept of the Chinese Zodiac—with the aesthetic sensibilities of modern global CGI features. It was intended to appeal to a broad family audience by framing the mythological creatures as approachable, personality-driven characters.
The film was directed by Sing-Choong Foo and Yuefeng Fu, who sought to modernize the narrative structure of the Chinese Zodiac for younger viewers. While the project represented a significant technical ambition for its production studios, its international release was met with a muted reception. Critics and audiences largely focused on the animation quality and the film's attempt to bridge disparate storytelling styles, marking it as a distinct entry in the mid-2010s effort to cultivate a globally marketable Chinese animation style.
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