Daniel Canogar

This monograph was published in 1995 by the Fundación Canal to coincide with an exhibition featuring the work of Spanish contemporary artist Daniel Canogar. At this stage of his career, Canogar was gaining significant recognition for his exploration of light, projection, and the intersection of traditional sculpture with modern technology, moving away from his early installations toward the immersive, photography-based light works that would define his later reputation.

The publication serves as a vital documentation of Canogar’s early aesthetic evolution, capturing his process of examining the human form through the lens of projected imagery and shadow. The design reflects the institutional quality of 1990s art catalogs, prioritizing high-contrast reproductions of his site-specific installations. It was received as a serious scholarly introduction to a rising figure in the Spanish conceptual art scene, providing critical context for viewers navigating his ephemeral and often site-specific interventions.