Marijke van Warmerdam

Published in 1998, this monograph serves as a comprehensive survey of the work of Dutch artist Marijke van Warmerdam. The publication emerged during a period of significant international recognition for her practice, which frequently involves looped film installations that capture fleeting, poetic moments in daily life. It functions as an extension of her exhibition history, documenting her unique ability to transform mundane actions—such as a woman shaking water from her hair or a spinning hat—into meditative, sculptural experiences.

The design of the book reflects the minimalist and contemplative nature of Van Warmerdam's visual language. By stripping away excess narrative, the publication allows her photographs and film stills to speak directly to the reader, emphasizing the play of light and the subtle shifts in perspective that define her work. It remains a definitive resource for understanding the artist's transition from sculpture into the medium of film during the 1990s and is regarded by critics as a vital entry in the documentation of contemporary European video art.