Igor Stravinsky’s The Soldier’s Tale With New Narration Adapted And Performed By Roger Waters
Igor Stravinsky, Roger Waters, Bridgehampton Chamber Music Festival
- Label
- Sony Classical (2)
- Catalog number
- 19075872732
- Released
- 2018
- Country
- Russia
- Format
- Album · Unofficial Release
- Barcode
- 190758727325
What’s on it
Igor Stravinsky’s The Soldier’s Tale With New Narration Adapted And Performed By Roger Waters has 48 tracks.
- Part I
- 1The Soldier's March
- 2Slogging Homeword
- 3Airs By A Stream
- 4As You Can Ear...
- 5The Soldier's March (Reprise)
- 6Eventually, Joseph Reaches His Home Village
- 7Pastorale
- 8The Soldier, Disconsolate
- 9Pastorale (Reprise)
- 10The Soldier, Slowly Coming Back To Himself
- 11Airs By A Stream (Reprise) : To Stretch Out On The Grass
- 12Hey Satan, You Bastard
- 13Airs By A Stream (2nd Reprise)
- 14Naught To Be Gained Here...
- Part II
- 15The Soldier's March (2nd Reprise): Down A Hot And Dusty Track
- 16He Doesn't Even Know Himself...
- 17The Soldier's March (3rd Reprise): Will He Take The Road To Home
- 18He Doesn't Have A Home Anymore
- 19The Royal March
- 20So, All Was Arranged
- 21Later That Night...
- 22The Little Concert: Light Floods The Eastern Sky
- 23The Soldier, With A Confident Air...
- 24Three Dances: Tango (Part 1)
- 25Three Dances: Tango (Part 2)
- 26Three Dances: Waltz & Ragtime
- 27So, First A Tango
- 28The Devil's Dance
- 29The Devil, Confused
- 30The Little Chorale
- 31The Devil Recovers Some Of His Wits
- 32The Devil's Song: Alright!
- 33HM, A Fair Warning
- 34Grand Chorale (Part 1)
- 35Spring, Summer, Autumn.
- 36Grand Chorale (Part 2)
- 37Steady Now...
- 38Grand Chorale (Part 3)
- 39Steady, Just Smell The Flowers
- 40Grand Chorale (Part 4)
- 41Now I Have Everything
- 42Grand Chorale (Part 5)
- 43The Princess, All Excited
- 44Grand Chorale (Part 6)
- 45And So, Off They Go
- 46Triumphant March Of The Devil
Where to find one
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Where it came from
This 2018 release reimagines Igor Stravinsky’s 1918 theatrical work, L'Histoire du soldat, which was originally composed during the First World War as a portable, economical piece meant to be performed by a small ensemble in rural villages. The original composition emerged from a period of artistic austerity, blending ragtime, tango, and jazz influences to tell a Faustian tale of a soldier who trades his violin to the devil in exchange for unlimited wealth.
Roger Waters, best known as the creative force behind Pink Floyd, adapted and performed the narration for this specific recording, collaborating with the Bridgehampton Chamber Music Festival. The project aimed to update the satirical edge of the original text for a contemporary audience. The recording received attention for its atmospheric delivery, with critics noting that Waters brought a distinct theatrical gravitas to the narrator’s role, grounding the surreal morality play in a modernized, spoken-word performance style.
Written by Pi, the helpful collecto.rs AI
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