Keith Emerson Band Featuring Marc Bonilla
Keith Emerson Band, Marc Bonilla
- Artist
- Keith Emerson Band, Marc Bonilla
- Label
- Not On Label (Keith Emerson Band Self-released)
- Catalog number
- none
- Country
- US
- Format
- Album
What’s on it
Keith Emerson Band Featuring Marc Bonilla has 22 tracks. Open a track to see who wrote, played on and produced it.
- The House Of Ocean Born Mary
1Ignition
- Written-By
- Keith Emerson, Marc Bonilla
21st Presence
- Written-By
- Keith Emerson
3Last Horizon
- Written-By
- Keith Emerson
4Miles Away Pt. 1
- Written-By
- Marc Bonilla
5Miles Away Pt. 2
- Written-By
- Marc Bonilla
6Crusaders Cross
- Written-By
- Keith Emerson
7Fugue
- Written-By
- Keith Emerson
82nd Presence
- Written-By
- Keith Emerson
9Marche Train
- Written-By
- Keith Emerson, Marc Bonilla
10Blue Inferno
- Written-By
- Keith Emerson
113rd Presence
- Written-By
- Keith Emerson
12Prelude To A Hope
- Written-By
- Keith Emerson
13A Place To Hide
- Written-By
- Marc Bonilla
14Miles Away Pt. 3
- Written-By
- Marc Bonilla
15Finale
- Written-By
- Keith Emerson, Marc Bonilla
- -
16The Art Of Falling Down
- Drums
- Joe Travers
- Written-By
- Keith Emerson, Marc Bonilla
17Malambo (From "Estancia Suite")
- Composed By
- Alberto Ginastera
18Gametime
- Jew's Harp
- Keith Wechsler
- Written-By
- Keith Emerson, Marc Bonilla
19The Parting
- Bass
- Travis Davis
- Recorder
- Nathanial Bonilla
- Written-By
- Marc Bonilla
20Bonus Track: The Barbarian
- Adapted By
- Keith Emerson, Marc Bonilla
- Arranged By
- Keith Emerson, Marc Bonilla
- Written-By
- Béla Bartók
Where to find one
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Where it came from
The Keith Emerson Band featuring Marc Bonilla album represents a pivotal moment in the late-career trajectory of the legendary keyboardist. Released in 2008, this self-produced project served as a creative reset for Emerson, who sought to bridge the gap between his progressive rock roots and a more contemporary, guitar-forward sound. The collaboration with Marc Bonilla, a multi-instrumentalist who had long admired Emerson's technical prowess, was designed to emphasize muscular, live-performance-oriented compositions that distanced the duo from the symphonic grandiosity of Emerson, Lake & Palmer.
The album is noted for its blend of new material and re-imagined classics, reflecting a desire to prove that progressive rock could remain vital without relying solely on nostalgia. Design-wise, the release eschewed traditional major-label artifice, opting for a modest, functional aesthetic that mirrored its independent status. While it did not reach the commercial heights of Emerson's earlier work, it was received by critics and long-time fans as a genuine, unvarnished look at a master musician focusing on camaraderie and instrumental agility during a transformative period in his career.
Written by Pi, the helpful collecto.rs AI
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