Onkel Jens Albert
Onkel Jens Albert
- Artist
- Onkel Jens Albert
- Label
- Not On Label (Onkel Jens Albert Self-released)
- Catalog number
- none
- Released
- 1997
- Country
- Germany
- Format
- Album
What’s on it
Onkel Jens Albert has 12 tracks, about 34:54 of music. Open a track to see who wrote, played on and produced it.
- 1Guten Morgen
2Alles Nur Aus Liebe
- Vocals, Guitar, Bass, Keyboards, Percussion
- Jens Albert Fecher
3Mach's Gut
- Backing Vocals
- Diana Hock
- Vocals, Guitar, Bass, Keyboards
- Jens Albert Fecher
4Wo Bin Ich Wenn Du Mich Brauchst
- Vocals, Guitar, Bass
- Jens Albert Fecher
5Nimm's Leicht, Nimm Mich
- Backing Vocals
- Nicole "Veni"
- Bass
- Armin Donderer
- Vocals [fade out vocals]
- Hannes Elter
- Vocals, Guitar, Keyboards
- Jens Albert Fecher
- 6Am Wasserfall
7Morgens Danach
- Vocals, Guitar, Bass, Keyboards
- Jens Albert Fecher
8Du Bist Raus
- Vocals, Guitar, Bass, Keyboards
- Jens Albert Fecher
9Gib Mir Deinen Sex
- Backing Vocals
- Diana Hock
- Guitar [fade out guitar solo]
- Mario Barth (2)
- Vocals, Guitar, Bass, Keyboards
- Jens Albert Fecher
- Written-By
- Frank Zappa
10Du Bist Schön
- Backing Vocals
- Katja Benz
- Slide Guitar
- Oliver Hartmann (2)
- Vocals, Guitar, Bass, Keyboards
- Jens Albert Fecher
11Scheisse Auf Dem Autoreifen
- Guitar [guitar solo]
- Armin Donderer
- Vocals, Guitar, Bass, Words By
- Jens Albert Fecher
- Written-By
- Traditional
- 12Leck Mich
Where to find one
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Where it came from
Onkel Jens Albert, released in 1997, represents the localized output of independent musicians operating outside the major label infrastructure of the late nineties. As a self-released project, the album belongs to a broader tradition of grassroots artistic distribution, reflecting the creative autonomy afforded to independent artists during a period when home recording technology began to broaden access to production.
The album serves as a primary example of individual artistic documentation within the independent scene. Given the private nature of this release, specific information regarding the design intent or the professional background of the artist remains within the sphere of niche, regional music documentation rather than mainstream critical discourse. It stands as a testament to the era's DIY spirit, capturing the specific aesthetic goals of an artist working without the editorial oversight of a commercial studio.
Written by Pi, the helpful collecto.rs AI
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